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Traité de l'harmonie : réduite à ses principes naturels
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  • 2018Musical Syntax I: Theoretical Perspectives53 cited
  • 2011Voice-Leading Prototypes and Harmonic Function in Two Chorale Corpora51 cited
  • 2002Chromatic Transformations in Nineteenth-Century Music51 cited
  • 2002Nineteenth-century harmonic theory: the Austro-German legacy47 cited
  • 2019Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets44 cited
  • 2015BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’19 cited
  • 2001Bach: A Musical Biography19 cited
  • 2005Convexity and the well-formedness of musical objects18 cited
  • 2012Rameau’s Changing Views on Supposition and Suspension16 cited
  • 2002Harmonising Chorales in the Style of Johann Sebastian Bach14 cited
  • 2008The music educator's professional knowledge13 cited
  • 2015Topological Structures in Computer-Aided Music Analysis13 cited
  • 1985Musiktheorie und Mathematik10 cited
  • 2012Music, mind and mathematics: theory, reality and formality10 cited
  • 2006The Origin and Well-Formedness of Tonal Pitch Structures9 cited

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  • 1985Rousseau's Concept of Sistême musical and the Comparative Study of Tonalities in Nineteenth-Century France8 cited