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The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón
0 references·4 citing·12 second hop
The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (2013)The Three Amigos: The Transnational Filmm…Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water (2019)Falling for the Amphibian Man…Empathy and sinophobia: depicting Chinese migration inBiutiful(Iñárritu, 2010) (2015)Empathy and sinophobia: depic…Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006) (2014)Transnational Political Horro…Guillermo del Toro’s Monsters: Matter Out of Place (2014)Guillermo del Toro’s Monsters…Spanish Film Under Franco (1988)Stars and Masculinities In Spanish Cinema (2003)The International Handbook on Gender, Migration and Transnationalism (2013)Fantasy: The Literature of Subversion (1981)Landscape (2007)Monster Culture (Seven Theses) (2018)The Interpretation of Dreams. (1913)Hard core: power, pleasure, and "the frenzy of the visible" (1990)Hybrid cultures: strategies for entering and leaving modernity (1996)The American Cinema: Directors and Directions, 1929-1968 (1968)Ideology and the Image: Social Representation in the Cinema and Other Media (1983)Homeward Bound: American Families in the Cold War Era (1989)
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Cited by

  • 2014Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)7 cited
  • 2014Guillermo del Toro’s Monsters: Matter Out of Place6 cited
  • 2015Empathy and sinophobia: depicting Chinese migration inBiutiful(Iñárritu, 2010)6 cited
  • 2019Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water6 cited

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