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Fluorescence UV des liants employés dans les dorures sur peintures murales médiévales
16 references·0 citing·36 second hop
Fluorescence UV des liants employés dans les dorures sur peintures murales médiévales (2011)Fluorescence UV des liants employés dans …The influence of visible light and inorganic pigments on fluorescence excitation emission spectra of egg-, casein- and collagen-based painting media (2008)The influence of visible ligh…Interaction of femtosecond laser pulses with tempera paints (2008)Interaction of femtosecond la…Time-resolved fluorescence spectroscopy and imaging of proteinaceous binders used in paintings (2007)Time-resolved fluorescence sp…Nondestructive Varnish Identification by Ultraviolet Fluorescence Spectroscopy (2007)Nondestructive Varnish Identi…Identification of garlic in old gildings by gas chromatography–mass spectrometry (2006)Identification of garlic in o…Assisted Interpretation of Laser-Induced Fluorescence Spectra of Egg-Based Binding Media Using Total Emission Fluorescence Spectroscopy (2006)Assisted Interpretation of La…Analysis of protein-based binding media found in paintings using laser induced fluorescence spectroscopy (2006)Analysis of protein-based bin…Dictionnaire des matériaux du peintre (2005)Dictionnaire des matériaux du…Investigation of the gilding technique in two post-Byzantine wall paintings using micro-analytical techniques (2004)Investigation of the gilding …Analytical Study of the Chemical and Physical Changes Induced by KrF Laser Cleaning of Tempera Paints (2002)Analytical Study of the Chemi…Yellowing of Oil-Based Paints (2001)Yellowing of Oil-Based PaintsGilded Stuccoes of the Italian Baroque (1998)Gilded Stuccoes of the Italia…Photoluminescence Spectroscopy of Natural Resins and Organic Binding Media of Paintings (1991)Photoluminescence Spectroscop…Fluorescence of Paint and Varnish Layers (Part III) (1982)Fluorescence of Paint and Var…Fluorescence of Paint and Varnish Layers (Part II) (1982)Fluorescence of Paint and Var…Fluorescence of paint and varnish layers (Part 1) (1982)Fluorescence of paint and var…The Organic Chemistry of Museum Objects (1987)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Raman microscopy in archaeological science (2004)Total Synchronous Fluorescence Spectroscopy Combined with Multivariate Analysis: Method for the Classification of Selected Resins, Oils, and Protein-Based Media Used in Paintings (2009)Time-Resolved Photoluminescence Spectroscopy and Imaging: New Approaches to the Analysis of Cultural Heritage and Its Degradation (2014)Revealing the Origin and History of Lead-White Pigments by Their Photoluminescence Properties (2017)The Organic Chemistry of Museum Objects (1988)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A study of the interaction between rabbit glue binder and blue copper pigment under UV radiation: A spectroscopic and PCA approach (2010)Laser-induced fluorescence and FT-Raman spectroscopy for characterizing patinas on stone substrates (2011)Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis (2012)Laser Diagnostics of Painted Artworks: Laser-Induced Breakdown Spectroscopy in Pigment Identification (1997)Compositional analysis of Hispanic Terra Sigillata by laser-induced breakdown spectroscopy (2005)Characterization of Laser Cleaning of Artworks (2008)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Assessment of the ageing of triterpenoid paint varnishes using fluorescence, Raman and FTIR spectroscopy (2009)Towards proteomic analysis of milk proteins in historical building materials (2009)The Development of a New Analytical Model for the Identification of Saccharide Binders in Paint Samples (2012)Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Structural Examination of Easel Paintings with Optical Coherence Tomography (2009)Organic Chemistry of Museum Objects (2012)Current progress on murals: distribution, conservation and utilization (2023)Fluorescence of Paint and Varnish Layers (Part I) (1982)Analytical Spectroscopic Investigation of Wavelength and Pulse Duration Effects on Laser-Induced Changes of Egg-Yolk-Based Tempera Paints (2010)Characterization of the Balm of an Egyptian Mummy from the Seventh Century B.C. (2000)Multi-technique chemical characterisation of a 12–13th-century painted Crucifix (2012)Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM (2016)LEDμSF: A new portable device for fragile artworks analyses. Application on medieval pigments (2016)Recent Advances in Conservation (1967)In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts (2005)Identification of Organic Materials in Historic Oil Paintings Using Correlated Extractionless Surface-Enhanced Raman Scattering and Fluorescence Microscopy (2011)A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy (2017)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)UV-Vis spectroscopy (2018)Evaluation of Appearance and Fading of Daylight Fluorescent Watercolors (2005)
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References

  • 1982Fluorescence of Paint and Varnish Layers (Part III)159 cited
  • 2002Analytical Study of the Chemical and Physical Changes Induced by KrF Laser Cleaning of Tempera Paints92 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part II)83 cited
  • 2006Analysis of protein-based binding media found in paintings using laser induced fluorescence spectroscopy82 cited
  • 2007Time-resolved fluorescence spectroscopy and imaging of proteinaceous binders used in paintings49 cited
  • 2007Nondestructive Varnish Identification by Ultraviolet Fluorescence Spectroscopy48 cited
  • 1982Fluorescence of paint and varnish layers (Part 1)42 cited
  • 2006Assisted Interpretation of Laser-Induced Fluorescence Spectra of Egg-Based Binding Media Using Total Emission Fluorescence Spectroscopy41 cited
  • 2008Interaction of femtosecond laser pulses with tempera paints38 cited
  • 2008The influence of visible light and inorganic pigments on fluorescence excitation emission spectra of egg-, casein- and collagen-based painting media37 cited
  • 1991Photoluminescence Spectroscopy of Natural Resins and Organic Binding Media of Paintings37 cited
  • 2004Investigation of the gilding technique in two post-Byzantine wall paintings using micro-analytical techniques33 cited
  • 2006Identification of garlic in old gildings by gas chromatography–mass spectrometry32 cited
  • 1998

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Gilded Stuccoes of the Italian Baroque
26 cited
  • 2001Yellowing of Oil-Based Paints25 cited
  • 2005Dictionnaire des matériaux du peintre24 cited
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