The Komedie Stamboel: Popular Theater in Colonial Indonesia

Abstract

Matthew Isaac Cohen's evocative social history situates the Komedie Stamboel in the culture of empire and translocal flows of itinerant entertainment. He shows how the theater was used as a symbol of cross-ethnic integration in postcolonial Indonesia and as an emblem of Eurasian cultural accomplishment by Indische Nederlanders. A pioneering study of nineteenth-century Southeast Asian popular culture, The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891-1903 gives a new picture of the region's arts and entertainment through an exploration of the interplay of global culture, theatrical innovation, and the movement of people and ideas in colonial Southeast Asia.

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