No open-access location is known for this record yet.
No open-access location is known for this record yet.
Preface. Introduction: Definitions, Themes, and Issues. Into the Twentieth Century: Popular Music and Mass Culture. Rock 'n' Roll: The Birth of a New Era. Marketing and the Politics of Race, Language, and Gender. Regulating Popular Music. 1. Mass Technology and Popular Taste: The Tin Pan Alley Era. Sound Recording: From the Cylinder to the Disc. Tin Pan Alley Constructs the Mainstream Tradition. Commercial Broadcasting: A Very Private Enterprise. Hollywood Bolsters Tin Pan Alley. 2. Blues and Country Music: Mass Media and the Construction of Race. Blues and Country: More Equal Than Separate. Music: The Popular Sounds of Black America. Hillbilly Music: The White Working-Class Country Cousin. The Dissemination of Blues and Country: More Separate than Equal. The Long Road Back for Records. 3. Good Rockin' Tonight: The Rise of Rhythm and Blues. The Publishers and the Broadcasters: ASCAP vs. BMI. Enter the Deejay: The Broadcasters vs. the AFM. From Big Bands to Solo Singers. The Major Labels Reclaim Country Music. The Independents Promote Rhythm and Blues. High Fidelity/Low Overhead. Television and the Suppression of FM Broadcasting. Independent Radio: Deejays in Your Face. 4. Crossing Cultures: The Eruption of Rock 'n' Roll. Cultural Diversity and the Politics of Race and Gender. Structural Changes in the Music Industry. Sounds of the Cities. Doo Wop: The Intersection of Gospel, Jazz, and Pop. Rockabilly: The Country Strain. 5. The Empire Strikes Back: The Reaction to Rock 'n' Roll. The Established Powers Fight Back. Schlock Rock: Enter the White Middle Class. The Official Attack of Rock 'n' Roll. Surf's Up! 6. Popular Music and Political Culture: The Sixties. The Civil Rights Movement and Popular Music . The British Invasion Occupies the Pop Charts. Breaking the Sounds of Silence. Against the Grain: The Counterculture. 7. Music vs. Markets: The Fragmentation of Pop. The Music Industry: A Sound Investment. Creativity and Commerce: Rock As Art. Sweeter Soul Music. Singer/Songwriters, Soft Rock Solutions, and More. Women's Music: The Feminist Alternative. From Country Rock to Southern Boogie. Mad With Power: Heavy Metal. All That Glitters Doesn't Sell Gold. 8. Punk and Disco: The Poles of Pop. Punk vs. Disco. Punk: Rock as (White) Noise. Disco: The Rhythm Without The Blues. 9. Music Videos, Superstars, and Mega-Events: The Eighties. Early Music Television: They Want Their MTV. Superstars: The Road to Economic Recovery. Charity Rock and Mega-Events: Who Is the World? Technology and the New International Music Industry. 10. Rap and Metal: Youth Culture and Censorship. The Continuing History of Heavy Metal. Hip Hop, Don't Stop. Popular Music and the Politics of Censorship. 11. Alternative to What? Strange Bedfellows: Alternative and the Mainstream. Marketing Categories and Monster Contracts. Country and R&B: The Other Alternatives. Lollapalooza: Countercultural Sensibilities, Mainstream Clout. Bibliography. Index.
Loading…
Stored only when both papers are in the corpus — 169 citations exist upstream.
Imported from OpenAlex (CC0) — nothing here is generated.