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J oseph L anner, J ohann S trauss S r and ‘The Future of Rhythm’
16 references·0 citing·32 second hop
J oseph L anner, J ohann S trauss S r and ‘The Future of Rhythm’ (2013)J oseph L anner, J ohann S trauss S r and…Metric and Hypermetric Dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550 (2016)Metric and Hypermetric Disson…Decorum of the minuet, delirium of the waltz: a study of dance-music relations in 3/4 time (2012)Decorum of the minuet, deliri…Metric Manipulations In Haydn And Mozart (2009)Metric Manipulations In Haydn…Dance topoi, sonic analogues and musical grammar: communicating with music in the eighteenth century (2008)Dance topoi, sonic analogues …Revolving Embrace: The Waltz as Sex, Steps, and Sound (2002)Revolving Embrace: The Waltz …The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces (2001)Complex Hemiolas, Ski‐Hill Gr…Fantasy Pieces (1999)Fantasy PiecesRobert Schumann (1997)Robert SchumannPhrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicDie Musik in Geschichte und Gegenwart (1989)Die Musik in Geschichte und G…An Overview of Hierarchical Structure in Music (1983)An Overview of Hierarchical S…Explaining Music (1973)Explaining MusicMusical Form and Musical Performance (1969)Musical Form and Musical Perf…Musikgeschichte in Bildern (1967)Musikgeschichte in BildernMemoirs of Hector Berlioz (1935)Memoirs of Hector BerliozThe Rhythmic Structure of Music (1962)ASPECTS OF THE THEORY OF SYNTAX (1964)Semantics and Cognition. (1985)Correlates of linguistic rhythm in the speech signal (1999)Correlates of linguistic rhythm in the speech signal (2000)Is atypical rhythm a risk factor for developmental speech and language disorders? (2020)The Rhythmic Structure of Music (1961)Structural Functions in Music (1977)The time of music: new meanings, new temporalities, new listening strategies (1989)Beat-Class Modulation in Steve Reich's Music (2003)Hugo Riemann and the Birth of Modern Musical Thought (2003)Virgil: Aeneid Book VIII (1976)The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances (1993)The Total Work of Art in European Modernism (2011)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Classical Cadence: Conceptions and Misconceptions (2004)Musical Performance as Interpretation (1995)From Policy “Frames” to “Framing” (2014)Production, consumption and political function of seventeenth-century opera (1984)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)The Schenker Project (2007)Formal Functions of Metric Dissonance in Rock Music (2014)Timing and Meter in Mande Drumming from Mali (2014)A Platonic Model of Funky Rhythms (2016)Cognitive constraints on compositional systems (1992)Schumann and Romantic Distance (1997)Extraordinary Measures (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1989Die Musik in Geschichte und Gegenwart496 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 1983An Overview of Hierarchical Structure in Music315 cited
  • 1969Musical Form and Musical Performance314 cited
  • 1973Explaining Music308 cited
  • 1935Memoirs of Hector Berlioz225 cited
  • 1999Fantasy Pieces199 cited
  • 2009Metric Manipulations In Haydn And Mozart195 cited
  • 1997Robert Schumann123 cited
  • 2001Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces112 cited
  • 2012Decorum of the minuet, delirium of the waltz: a study of dance-music relations in 3/4 time85 cited
  • 2016Metric and Hypermetric Dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 55045 cited
  • 2002Revolving Embrace: The Waltz as Sex, Steps, and Sound45 cited
  • 1967Musikgeschichte in Bildern35 cited
  • 2008Dance topoi, sonic analogues and musical grammar: communicating with music in the eighteenth century33 cited

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