SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Stern's guide to contemporary African music
0 references·14 citing·47 second hop
Stern's guide to contemporary African music (1988)Stern's guide to contemporary African mus…Re-imagining Afrobeat(s): juxtaposing Fela and Falz’s social commentary and lyrical activism (2025)Re-imagining Afrobeat(s): jux…Violence, Sexuality and Youth Linguistic Behaviour: An Exploration of Contemporary Nigerian Youth Music (2020)Violence, Sexuality and Youth…Sexism and Power Play in the Nigerian Contemporary Hip Hop Culture: The Music of Wizkid (2020)Sexism and Power Play in the …Rhythmic idioms in Igbo hip hop music: Phyno as exemplar (2020)Rhythmic idioms in Igbo hip h…Politically Purposed Music Genres (2011)Politically Purposed Music Ge…Music education in Malawi : the crisis and the way forward (2006)Music education in Malawi : t…(Re)Configuring the City: The Mapping of Places and People in Contemporary Kenyan Popular Song Texts (2006)(Re)Configuring the City: The…The Recontextualization of African Music in The United States: A Case Study of Umoja African Arts Company (2005)The Recontextualization of Af…Playing with Identities in Contemporary Music in Africa (2005)Playing with Identities in Co…Aesthetic Inquiry and the Music of Africa (2005)Aesthetic Inquiry and the Mus…“Zilizopendwa”1: Kayamba Afrika's use of cover versions, remix and sampling in the (re)membering of Kenya (2005)“Zilizopendwa”1: Kayamba Afri…'One Day we Will Sing in God's Home': Hymns and Songs Sung in the Anglican Church in North-East Congo (drc) (2004)'One Day we Will Sing in God'…Nketia's The Music of Africa and the Foundations of African Musicology (2003)Nketia's The Music of Africa …Conceptualising African Popular Music: A Kenyan Experiment (2000)Conceptualising African Popul…The New Grove Dictionary of Music and Musicians (1981)African Polyphony and Polyrhythm (1991)Representing African Music: Postcolonial Notes, Queries, Positions (2004)Why 1955? Explaining the advent of rock music (1990)The Rise of a Jazz Art World (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Rap Music in Turkey (2017)Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy (2018)Valences of electoral consciousness in the music of democratic Nigeria (2019)Orality and Literacy (1982)Between Memory and History: Les Lieux de Mémoire (1989)How Societies Remember (1989)Bahlabelelelani – Why Do They Sing?: Gender and Power in Contemporary Women’s Songs (2021)The Language of Sex and HIV/AIDS among University Students in Kenya (2026)The Spirituals and the Blues: An Interpretation (1973)African Music: A People's Art (1976)African theology in its social context (1992)'Building A New Eden': Lutheran Church Youth Choir Performances in Tanzania (2005)Christian Hymns as Theological Mediator: The Lisu of South-west China and Their Music (2015)Noise and Silence in Rwanda’s Postgenocide Religious Soundscape (2018)The origins of intelligence in children. (1952)Designing qualitative research (1989)Becoming Qualitative Researchers: An Introduction (1991)Learning Aesthetic Values in African Musical Worlds (2007)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Desire in Language: A Semiotic Approach to Literature and Art (1981)Postmodern geographies: the reassertion of space in critical social theory (1989)Urbanised soundtracks: youth popular culture in the African city (2013)Alltagskulturen in den Slums von Nairobi (2019)Teaching About Space and Place: Everyday Geographies of Young People Living in the Slums of Nairobi, Kenya (2021)The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge (1991)On the Postcolony (2001)The New Grove dictionary of music and musicians (2001)Research and Evaluation in Education and Psychology: Integrating Diversity With Quantitative, Qualitative, and Mixed Methods (1997)Social Cognitive Theory of Mass Communication (2001)Qualitative Research: A Guide to Design and Implementation (2009)Contesting Cultural Imperialism: Hybridisation and Re-enactment of Indigenous Cultural Values in Nigerian Hip-Hop Music (2021)8. Intellectual Development (2022)Theorizing Intimacies and Articulation in Nigerian Hip Hop Music (2023)The Ambivalent Sexism Inventory: Differentiating hostile and benevolent sexism. (1996)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)The Journal of Pan African Studies (2014)Glocalisation of Nigerian contemporary hip hop music (2020)Rhyme, Reason, Rogue (2022)Black Noise: Rap Music and Black Culture in Contemporary America (1995)Global Noise: Rap and Hip‐Hop outside the USA. (2003)Can't Stop Won't Stop: A History of the Hip-Hop Generation (2005)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2020Violence, Sexuality and Youth Linguistic Behaviour: An Exploration of Contemporary Nigerian Youth Music32 cited
  • 2020Sexism and Power Play in the Nigerian Contemporary Hip Hop Culture: The Music of Wizkid26 cited
  • 2005“Zilizopendwa”1: Kayamba Afrika's use of cover versions, remix and sampling in the (re)membering of Kenya21 cited
  • 2011Politically Purposed Music Genres15 cited
  • 2006(Re)Configuring the City: The Mapping of Places and People in Contemporary Kenyan Popular Song Texts11 cited
  • 2006Music education in Malawi : the crisis and the way forward7 cited
  • 2004'One Day we Will Sing in God's Home': Hymns and Songs Sung in the Anglican Church in North-East Congo (drc)7 cited
  • 2020Rhythmic idioms in Igbo hip hop music: Phyno as exemplar4 cited
  • 2005Aesthetic Inquiry and the Music of Africa4 cited
  • 2003Nketia's The Music of Africa and the Foundations of African Musicology3 cited
  • 2005Playing with Identities in Contemporary Music in Africa3 cited
  • 2025Re-imagining Afrobeat(s): juxtaposing Fela and Falz’s social commentary and lyrical activism2 cited
  • 2000Conceptualising African Popular Music: A Kenyan Experiment2 cited
  • 2005The Recontextualization of African Music in The United States: A Case Study of Umoja African Arts Company

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2 cited