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Cited by

• 2005The Cambridge History of Twentieth-Century English Literature97 cited
• 1987The Cinematic Novel: Tracking a Concept34 cited
• 2012100+ Years of Adaptations, or, Adaptation as the Art Form of Democracy33 cited
• 2012John Dos Passos in the 1920s: The Development of a Modernist Style25 cited
• 2005Literature and cinema18 cited
• 2005‘Seeing is Believing?’: Visuality and Victorian Fiction8 cited
• 2015The Translator’s Doubts6 cited
• 2013You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’.5 cited
• 2007Technology1 cited