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“The Space, the Gear, and Two Big Cans of Beer”: Fora do Eixo and the Debate over Circulation, Remuneration, and Aesthetics in the Brazilian Alternative Market
9 references·1 citing·43 second hop
“The Space, the Gear, and Two Big Cans of Beer”: Fora do Eixo and the Debate over Circulation, Remuneration, and Aesthetics in the Brazilian Alternative Market (2012)“The Space, the Gear, and Two Big Cans of…A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production (2012)A Creative Industry in Transi…Democracy on the Edge: Limits and Possibilities in the Implementation of an Urban Reform Agenda in Brazil (2011)Democracy on the Edge: Limits…Insurgent Citizenship: Disjunctions of Democracy and Modernity in Brazil (2009)Insurgent Citizenship: Disjun…Cultures of Circulation and the Urban Imaginary: Miami as Example and Exemplar (2005)Cultures of Circulation and t…Site and Sound: Understanding Independent Music Scenes (2004)Site and Sound: Understanding…Cultures of Circulation: The Imaginations of Modernity (2002)Cultures of Circulation: The …Brazilian Popular Music and Globalization (2002)Brazilian Popular Music and G…INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade (1997)Post-Punk's attempt to democr…No love without conflict: rights to the city, cultural activism, and the ‘irony of affect’ in São Paulo, Brazil (2020)No love without conflict: rig…Increasing Returns, Path Dependence, and the Study of Politics (2000)Housing: Commodity versus Right (2013)Participatory urban planning in Brazil (2014)Governing the Informal: Housing Policies Over Informal Settlements in China, India, and Brazil (2017)Competitive Advantage of Nations (1990)The Competitive Advantage of Nations (1991)The Cultural Economy of Cities (1997)A Competence Portfolio for Professionals in the Creative Industries (2013)Making the Intern Economy: Role and Career Challenges of the Music Industry Intern (2013)Towards a sharing economy – Innovating ecologies of business models (2018)Zoot Suits and Second-Hand Dresses (1989)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Senseless acts of beauty: cultures of resistance since the sixties (1996)Free Labor (2000)Bourdieu, the media and cultural production (2006)Amateur experts (2009)Modern Social Imaginaries (2002)Toward New Imaginaries: An Introduction (2002)Translocal Circulation: Place and Subjectivity in an Extended Filipino Community (2006)M acau Metropolis and Mental Life: Interior Urbanism and the C hinese Imaginary (2014)Selling black places on Airbnb: Colonial discourse and the marketing of black communities in New York City (2020)The Pricing of Options and Corporate Liabilities (1973)Outline of a Theory of Practice (1977)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Technologies of Public Forms: Circulation, Transfiguration, Recognition (2003)Brands (2005)Translocal Subjectivities: Mobility, Connection, Emotion (2007)Cycles in Symbol Production: The Case of Popular Music (1975)Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990 (2004)Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction (2004)Micro-independent record labels in the UK (2007)Parables for the Virtual (2002)Parables for the virtual: movement, affect, sensation (2002)The Cultural Politics of Emotion (2014)Black Pau: Uncovering the History of Brazilian Soul1 (2002)“We Live Daily in Two Countries” (2011)Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education (2011)Technology Adoption and Use in the Aftermath of Hurricane Katrina in New Orleans (2010)SoundCloud and Bandcamp as Alternative Music Platforms (2019)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Insurgent Planning: Situating Radical Planning in the Global South (2009)The Great Urban Transformation (2010)Peripheral urbanization: Autoconstruction, transversal logics, and politics in cities of the global south (2016)
this work references cited by second hop

References

  • 2009Insurgent Citizenship: Disjunctions of Democracy and Modernity in Brazil904 cited
  • 2002Cultures of Circulation: The Imaginations of Modernity728 cited
  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 1997Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade198 cited
  • 2012A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production142 cited
  • 2011Democracy on the Edge: Limits and Possibilities in the Implementation of an Urban Reform Agenda in Brazil102 cited
  • 2004Site and Sound: Understanding Independent Music Scenes70 cited
  • 2002Brazilian Popular Music and Globalization63 cited
  • 2005Cultures of Circulation and the Urban Imaginary: Miami as Example and Exemplar30 cited

Cited by

  • 2020No love without conflict: rights to the city, cultural activism, and the ‘irony of affect’ in São Paulo, Brazil6 cited

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