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Shakespeare’S Audience
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  • 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre35 cited
  • 2013Marlowe and the Elizabethan theatre audience25 cited
  • 2017Shakespeare, Popularity and the Public Sphere19 cited
  • 2011Crowd Control16 cited
  • 2016Hamlet and the Sovereignty of Reasons16 cited
  • 1992“The High Roman Fashion”: Sacrifice, Suicide, and the Shakespearean Stage14 cited
  • 1978Eve’s Flesh and Blood in Jonson’s Bartholomew Fair12 cited
  • 2018Theatre and the English Public from Reformation to Revolution7 cited
  • 2023Representations of age and ageing in comedy film6 cited
  • 1987Calderón and Shakespeare: The Subject of Henry VIII6 cited
  • 1988‘Answere to this perillous time’: Ideological ambivalence inthe raigne of king Edward IIIand the english Chronicle plays5 cited
  • 2008“Words, vows, gifts, tears and love's full sacrifice”: An assessment of the status of Troilus and Cressida's relationship according to customary Elizabethan marriage procedure3 cited
  • 2002Introduction3 cited
  • 2002Women’s Popular Culture? Teaching the Swetnam Controversy3 cited
  • 2014Early Modern Audiences and the Pleasures of Cross-Dressed Characters

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2 cited
  • 2004Disorder in the House of God: Disrupted Worship in Shakespeare and Others2 cited