SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Cultural Economy
0 references·16 citing·51 second hop
The Cultural Economy (2008)The Cultural EconomyINTRODUCTION OF CREATIVE ECONOMY IN INTERNATIONAL RELATIONS: ASPECTS OF DEVELOPMENT SECURITY (2019)INTRODUCTION OF CREATIVE ECON…Ethnic fusion in migration: The new Russian–Mizrahi pop-culture hybrids in Israel (2019)Ethnic fusion in migration: T…Typology of creative entrepreneurs and entrepreneurial success (2018)Typology of creative entrepre…Wrestling with Tradition: Revitalizing the Orkney Chair and Other Culturally Significant Crafts (2017)Wrestling with Tradition: Rev…Understanding Creative Entrepreneurs’ Intention to Quit: The Role of Entrepreneurial Motivation, Creativity, and Opportunity (2017)Understanding Creative Entrep…Ecuadorian artisanal production and its future projection from the Cultural and Creative Industries perspective (CCI) (2017)Ecuadorian artisanal producti…Ciudades creativas y pueblos con encanto: los nuevos procesos patrimoniales del siglo XXI (2017)Ciudades creativas y pueblos …The promises of creative industry higher education: an analysis of university prospectuses in Malaysia (2016)The promises of creative indu…Regulating the global infrastructure of film labor exploitation (2016)Regulating the global infrast…Creativity support policies as a means of development policy for the global South? A critical appraisal of the UNESCO Creative Economy Report 2013 (2016)Creativity support policies a…Von der „Kulturpflege“ zur „Kreativindustrie“ (2014)Von der „Kulturpflege“ zur „K…Is it still about the arts? The perceived contribution of KKNK to the arts (2014)Is it still about the arts? T…How Culture and Economy Meet in S outh K orea: The Politics of Cultural Economy in Culture‐led Urban Regeneration (2012)How Culture and Economy Meet …Remodelling Media: The Urgent Search for New Media Business Models (2010)Remodelling Media: The Urgent…Developing a Creative Cluster in a Postindustrial City: CIDS and Manchester (2010)Developing a Creative Cluster…Creative industries as a globally contestable policy field (2009)Creative industries as a glob…The End of Organized Capitalism. (1989)The Rise of the Creative Class (2002)The long tail: why the future of business is selling less of more (2007)Revisiting Creative Industry Models for Game Industry Development in Southeast Asia (2016)Theneo-developmentalcultural industries policy of Korea: rationales and implications of an eclectic policy (2019)Philosophical Arguments (1996)Development as Freedom (1999)Development as Freedom (2009)Can we implant an artist community? A reflection on government-led cultural districts in Korea (2015)Creative industries, public engagement and urban redevelopment in Hong Kong: Cultural regeneration as another dose of isotopia? (2015)Urban design strategies fostering creative workers' sense of identity in creative and cultural districts in East Asia: An integrated knowledge-driven approach (2023)Economic Action and Social Structure: The Problem of Embeddedness (1985)The Condition of Postmodernity (1991)Between Culture, Policy and Industry: Modalities of Intermediation in the Creative Economy (2013)Clusters and the New Economics of Competition (2014)Creative industries and urban regeneration – The Maboneng precinct, Johannesburg (2015)Creative Tourism in Cape Town: An Innovation Perspective (2015)Motivation and Personality (1997)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Cities and the Creative Class (2005)The creative economy as a versatile policy script: exploring the role of competing intergovernmental organizations (2018)Chinese Entertainment Industry, the Case of Folk Errenzhuan (2019)Guest editorial (2020)The Competitive Advantage of Nations (1990)The Competitive Advantage of Nations (1991)The Global City (1991)Structural equation modeling in practice: A review and recommended two-step approach. (1988)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)Common method biases in behavioral research: A critical review of the literature and recommended remedies. (2003)Individual motivation among entrepreneurs in the creative and cultural industries: A self‐determination perspective (2019)Exploring the mediation role of perceived behavioural control and subjective norms in the relationship between psychological capital and entrepreneurial intention of university students (2023)Entrepreneurs’ creativity, information technology adoption, and continuance intention: Mediation effects of perceived usefulness and ease of use and the moderation effect of entrepreneurial orientation (2024)Organizational Strategy, Structure, and Process (1978)Clarifying the Entrepreneurial Orientation Construct and Linking It To Performance (1996)The Promise of Entrepreneurship as a Field of Research (2000)Exploring entrepreneurs' business-related social media typologies: a latent class analysis approach (2022)Operating a business with local wisdom: a grounded research of women in the creative industry (2024)A systematic literature review on factors of perception impacting entrepreneurial success based on PRISMA framework (2025)Cities in Civilization (1995)The World Intellectual Property Organization (2012)Strategic human resource management, human capital and competitive advantage: is the field going in circles? (2017)Analysis of country’s competitiveness factors based on inter-state rating comparisons (2020)PROBLEMS OF COMPETITIVE DEVELOPMENT OF INDUSTRY IN UKRAINE (2020)In Praise of Commercial Culture (1999)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)The future of competition: co-creating unique value with customers (2004)Wikinomics: how mass collaboration changes everything (2007)4 What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software (2012)Los programas radiofónicos españoles de prime time en Facebook y Twitter: Sinergias entre la radio convencional y las redes sociales (2014)Legacy and Native News Brands Online: Do They Show Different News Consumption Patterns? (2016)459921.pdf (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010Developing a Creative Cluster in a Postindustrial City: CIDS and Manchester62 cited
  • 2010Remodelling Media: The Urgent Search for New Media Business Models55 cited
  • 2017Understanding Creative Entrepreneurs’ Intention to Quit: The Role of Entrepreneurial Motivation, Creativity, and Opportunity53 cited
  • 2018Typology of creative entrepreneurs and entrepreneurial success45 cited
  • 2012How Culture and Economy Meet in S outh K orea: The Politics of Cultural Economy in Culture‐led Urban Regeneration44 cited
  • 2016Regulating the global infrastructure of film labor exploitation25 cited
  • 2014Von der „Kulturpflege“ zur „Kreativindustrie“23 cited
  • 2016Creativity support policies as a means of development policy for the global South? A critical appraisal of the UNESCO Creative Economy Report 201323 cited
  • 2009Creative industries as a globally contestable policy field20 cited
  • 2019INTRODUCTION OF CREATIVE ECONOMY IN INTERNATIONAL RELATIONS: ASPECTS OF DEVELOPMENT SECURITY18 cited
  • 2017Ecuadorian artisanal production and its future projection from the Cultural and Creative Industries perspective (CCI)17 cited
  • 2017Ciudades creativas y pueblos con encanto: los nuevos procesos patrimoniales del siglo XXI16 cited
  • 2016The promises of creative industry higher education: an analysis of university prospectuses in Malaysia

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

15 cited
  • 2017Wrestling with Tradition: Revitalizing the Orkney Chair and Other Culturally Significant Crafts13 cited
  • 2019Ethnic fusion in migration: The new Russian–Mizrahi pop-culture hybrids in Israel13 cited
  • 2014Is it still about the arts? The perceived contribution of KKNK to the arts10 cited