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The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry
13 references·16 citing·38 second hop
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(1993)Contested Culture: The Image,…Rockonomics: the money behind the music (1989)Rockonomics: the money behind…The Sexual Contract (1988)The Sexual Contract‘A video or a flat fee?’ on the performances of concert fees (2023)‘A video or a flat fee?’ on t…K-Pop’s Global Success and Its Innovative Production System (2022)K-Pop’s Global Success and It…Twists and turns in the 360 deal: Spinning the risks and rewards of artist–label relations in the streaming era (2021)Twists and turns in the 360 d…Sincerely Outspoken (2021)Sincerely OutspokenMusic for Global Human Development (2021)Music for Global Human Develo…Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone (2021)Music Endangerment, Repatriat…Love and Business: Taylor Swift as Celebrity, Businesswoman, and Advocate (2021)Love and Business: Taylor Swi…Ethnomusicology and the Meeting of Knowledges in Music (2021)Ethnomusicology and the Meeti…Ethnomusicological Praxis (2021)Ethnomusicological PraxisEthical Friction (2021)Ethical FrictionEngaged Activist Research (2021)Engaged Activist Research“One for the money”? 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The motivations behind live music attendance (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Destination culture: tourism, museums, and heritage (1999)Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? (2020)The End of Diegesis As We Know It? (2013)Selling Out: Musicians, Autonomy, and Compromise in the Digital Age (2016)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)The Limits of Authenticity in Vietnamese Consumer Markets (2006)The Plain Language Movement (2012)When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution (2003)HIERARCHIES, JOBS, BODIES: (1990)Gender and the Social Rights of Citizenship: The Comparative Analysis of Gender Relations and Welfare States (1993)The Complexity of Intersectionality (2005)
this work references cited by second hop

References

  • 1988The Sexual Contract3,064 cited
  • 2013The music industry: music in the cloud326 cited
  • 1999The social structure of liquidity: Flexibility, markets, and states315 cited
  • 1993Contested Culture: The Image, the Voice, and the Law.312 cited
  • 2007Rethinking the music industry261 cited
  • 2010The economy of live music in the digital age167 cited
  • 2006Creativity and Innovation in the Music Industry154 cited
  • 2005On the reproduction of the musical economy after the Internet145 cited
  • 2016As Heard on TV: Popular Music in Advertising110 cited
  • 1999From Music Publishing to MP3: Music and Industry in the Twentieth Century107 cited
  • 1989Rockonomics: the money behind the music85 cited
  • 2011Promotional Ubiquitous Musics: Recording Artists, Brands, and “Rendering Authenticity”73 cited
  • 2010Primitive accumulation, the social common, and the contractual lockdown of recording artists at the threshold of digitalization18 cited

Cited by

  • 2021Ethnomusicology and the Meeting of Knowledges in Music21 cited
  • 2021Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

20 cited
  • 2021Ethnomusicological Praxis18 cited
  • 2021Engaged Activist Research18 cited
  • 2021Music for Global Human Development18 cited
  • 2021“How Is That Going to Help Anyone?”18 cited
  • 2021Love and Business: Taylor Swift as Celebrity, Businesswoman, and Advocate18 cited
  • 2022K-Pop’s Global Success and Its Innovative Production System18 cited
  • 2021Sincerely Outspoken17 cited
  • 2019The Values of Independent Hip-Hop in the Post-Golden Era16 cited
  • 2023‘A video or a flat fee?’ on the performances of concert fees15 cited
  • 2018“Everybody Wants to Work with Me”: Collaborative Labor in Hip Hop14 cited
  • 2021“One for the money”? The impact of the “disk crisis” on “ordinary musicians” income: The case of French speaking Switzerland14 cited
  • 2021Ethical Friction13 cited
  • 2021Twists and turns in the 360 deal: Spinning the risks and rewards of artist–label relations in the streaming era13 cited
  • 2019Popular Music, Streaming, and Promotional Media: Enduring and Emerging Industrial Logics12 cited