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Cited by

• 2018Inventing the Opera House: Theater Architecture in Renaissance and Baroque Italy38 cited
• 1992Architects Read Vitruvius: Renaissance Interpretations of the Atrium of the Ancient House33 cited
• 2002New Naturality: A Generative Approach to Art and Design32 cited
• 1983The Palazzo dei Camerlenghi in Venice30 cited
• 1994Learning from the history of preventive conservation17 cited
• 2011Decoding De re aedificatoria: Using Grammars to Trace Alberti’s Influence on Portuguese Classical Architecture17 cited
• 2014Introduction: Two Kinds of Proportion13 cited
• 2010Perspective versus Stereotomy: From Quattrocento Polyhedral Rings to Sixteenth-Century Spanish Torus Vaults9 cited
• 1997Michelangelo's Medici Chapel: The Cube, the Square and the Root-2 Rectangle9 cited
• 1993Structural Innovation and Structural Design in Renaissance Architecture8 cited
• 1993The Madonna delle Carceri in Prato and Italian Renaissance Pilgrimage Architecture7 cited
• 1999Architectural Criticism, Science, and Visual Eloquence: Teofilo Gallaccini in Seventeenth-Century Siena7 cited
• 2004Leon Battista Alberti and the Homogeneity of Space6 cited
• 1985The Villa of Andrea Doria in Genoa: Architecture, Gardens, and Suburban Setting