Architectural principles in the age of humanism

Rudolf Wittkower

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Architecture and Art History Studies Historical Art and Architecture Studies Renaissance and Early Modern Studies

Abstract

THE CENTRALLY PLANNED CHURCH AND THE RENAISSANCE. Albertia s Programme of the Ideal Church. Centralized Churches in Later Architectural Theory. Building Practice: S Maria delle Carceri. Bramante and Palladio. The Religious Symbolism of Centrally Planned Churches. ALBERTIa S APPROACH TO ANTIQUITY IN ARCHITECTURE. The Column in Albertia s Theory and Practice. S. Francesco at Rimini. S. Maria Novella. S. Sebastiano and S. Andrea at Mantua. The Change in Albertia s Interpretation of Classical Architecture. PRINCIPLES OF PALLADIOa S ARCHITECTURE. The Architect as a uomo universalea : Palladio, Trissino and Barbaro. Palladioa s Geometry: The Villas. Palladio and Classical Architecture: Palaces and Public Buildings. The Genesis of an Idea: Palladioa s Church Facades. Palladioa s Optical and Psychological Concepts: II Redentore. THE PROBLEM OF HARMONIC PROPORTION IN ARCHITECTURE. Francesco Giorgia s Platonic Programme for S. Francesco della Vigna. The Mean Proportionals and Architecture. Albertia s Generation of Ratios. Musical Consonances and the Visual Arts. Palladioa s a fugala System of Proportion. Palladioa s Ratios and the Development of Sixteenth--Century Musical Theory. The Break--away from the Laws of Harmonic Porportion Architecture. Appendices. Index.

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1994Dufay's "Nuper rosarum flores", King Solomon's Temple, and the Veneration of the Virgin 1982Harmonic Proportion and Palladio's "Quattro Libri"1998Politics: Theory and Practice 2003Kant's Conception of Architectonic in its Historical Context 1982The myth and the stones of Venice: an historical geography of a symbolic landscape 1998Architectonics of Humanism: Essays on Number in Architecture 2019The Cambridge History of Sixteenth-Century Music 2001Architecture and Music Reunited: A New Reading of Dufay's "Nuper Rosarum Flores" and the Cathedral of Florence

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