SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Double exposures : the subject of cultural analysis
0 references·16 citing·60 second hopsampled
Double exposures : the subject of cultural analysis (1996)Double exposures : the subject of cultura…Narratology (2019)NarratologyThe ignorant art museum: beyond meaning-making (2017)The ignorant art museum: beyo…Perceived authenticity of the visitor experience in museums (2014)Perceived authenticity of the…Rhetorics of Value: Constituting Worth and Meaning through Cultural Display (2011)Rhetorics of Value: Constitut…A journey to the authentic: Museum visitors and their negotiation of the inauthentic (2010)A journey to the authentic: M…Face work in annual reports (2009)Face work in annual reportsTranslating Tea: On the Semiotics of Interlingual Practice in the Hong Kong Museum of Tea Ware (2008)Translating Tea: On the Semio…On the Advantage and Disadvantage of Sentimental History for Life (2008)On the Advantage and Disadvan…Introduction: Experiments in Exhibition, Ethnography, Art, and Science (2007)Introduction: Experiments in …Interconnecting: museum visiting and exhibition design (2007)Interconnecting: museum visit…Exhibition as Film (2007)Exhibition as FilmThe images speak for themselves? Reading refugee coffee‐table books (2006)The images speak for themselv…Mediating heritage (2006)Mediating heritage‘Seeing it for real …?’—Authenticity, theatre and learning in museums This article draws on the combined efforts of the research team: Anthony Jackson, Helen Rees Leahy, Paul Johnson (Research Assistant, Centre for Applied Theatre Research, Manchester University) and Verity Walker (museum consultant and director of ‘Interpret-action’). (2005)‘Seeing it for real …?’—Authe…Remembering World War II: The rhetoric and politics of national commemoration at the turn of the 21 st century (2002)Remembering World War II: The…SHOPPING IN THE MUSEUM? CONSUMER SPACES AND THE REDEFINITION OF THE LOUVRE (1998)SHOPPING IN THE MUSEUM? CONSU…Coefficient Alpha and the Internal Structure of Tests (1951)Evaluating Structural Equation Models with Unobservable Variables and Measurement Error (1981)Principles and Practice of Structural Equation Modeling (1998)Livestreaming vs pre-recorded (2018)The mediating role of experience quality on authenticity and satisfaction in the context of cultural-heritage tourism (2018)Brand authenticity: 25 Years of research (2021)Writing Culture (1986)Pandora's Hope: Essays on the Reality of Science Studies (2000)The Perception of the Environment (2002)From "cold" science to "hot" research: the texture of controversy (2009)ENGAGING WITH PASTS IN THE PRESENT: Curators, Communities, and Exhibition Practice (2012)The Anthropology of Art, After the End of Art: Contesting the Art-Culture System (2019)Distinction: A Social Critique of the Judgement of Taste. (1985)Learning from Museums: Visitor Experiences and the Making of Meaning (2000)Museum Atmospherics: The Role of the Exhibition Environment in the Visitor Experience (2013)Embodiment, Entanglement, and Immersion in Digital Cultural Heritage (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Creating and Governing Cultural Heritage in the European Union (2020)Decoding Advertisements: Ideology and Meaning in Advertising (1978)Life in Fragments: Essays in Postmodern Morality (1995)The New Organizational Wealth: Managing and Measuring Knowledge-Based Assets (1997)The Institutionalization of Suffering: Embodied Inhabitation and the Maintenance of Health and Safety in E-waste Recycling (2018)Value creation attempts via photographs in sustainability reporting: a legitimacy theory perspective (2020)Form and substance: Visual content in CSR reports and investors’ perceptions (2021)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)Precarious Life: The Powers of Mourning and Violence (2004)Framing ‘otherness’ in press photographs: The case of immigrants in Greece and Spain (2011)Public and private photographs of refugees: the problem of representation (2012)“The image speaks for itself” – or does it? Instant news icons, impromptu publics, and the 2015 European “refugee crisis” (2016)The Tourist Gaze: Leisure and Travel in Contemporary Societies (1990)Anthropological Locations: Boundaries and Grounds of a Field Science (1999)Television, Audiences and Cultural Studies (2003)PAGES AS STAGES: A Performance Approach to Visitor Books (2008)‘Freedom Park, A Heritage Destination’: Tour-guiding and visitor experience at a post-apartheid heritage site (2015)The changing face of the tour guide: one-way communicator to choreographer to co-creator of the tourist experience (2015)Naturalistic inquiry (1985)Basics of Qualitative Research: Grounded Theory Procedures and Techniques. (1992)Basics of Qualitative Research: Grounded Theory Procedures and Techniques (1993)Visitor attraction management: A critical review of research 2009–2014 (2016)Cultural heritage authenticity: A producer view (2019)I can’t stop hating you: an anti-brand-community perspective on apple brand hate (2020)Technologies of the self: a seminar with Michel Foucault (1988)States of Injury (1995)Is Multiculturalism Bad for Women? (1999)In digital remembrance: vernacular memory and the rhetorical construction of web memorials (2007)Intellectual and Conceptual Resources for Visual Rhetoric: A Re-examination of Scholarship Since 1950 (2007)No Time for Mourning: The Rhetorical Production of the Melancholic Citizen-Subject in the War on Terror (2007)The cultural biography of things: commoditization as process (1986)The Social Life of Things (1986)The Predicament of Culture (1988)Exhibition, Difference, and the Logic of Culture (2006)Collecting, Exhibiting, and Interpreting: Museums as Mediators and Midwives of Meaning (2014)Bringing Slavery into the Light in Postcolonial Portugal (2020)Democracy and Education. (1917)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Participatory Museum (2010)Digital Museum Objects and Memory: Postdigital Materiality, Aura and Value (2020)TikTok and museum education: A visual content analysis (2022)Translenguaje y El Arte en Unión: fostering pre-service teachers’ languaging and multiliteracies through bilingual community art gallery lessons (2023)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

No references inside the corpus for this window.

Cited by

  • 2007Interconnecting: museum visiting and exhibition design133 cited
  • 2002Remembering World War II: The rhetoric and politics of national commemoration at the turn of the 21 st century126 cited
  • 2014Perceived authenticity of the visitor experience in museums89 cited
  • 2006Mediating heritage81 cited
  • 2009Face work in annual reports75 cited
  • 2011Rhetorics of Value: Constituting Worth and Meaning through Cultural Display69 cited
  • 2006The images speak for themselves? Reading refugee coffee‐table books69 cited
  • 2010A journey to the authentic: Museum visitors and their negotiation of the inauthentic68 cited
  • 2007Introduction: Experiments in Exhibition, Ethnography, Art, and Science50 cited
  • 2017The ignorant art museum: beyond meaning-making42 cited
  • 2005‘Seeing it for real …?’—Authenticity, theatre and learning in museums This article draws on the combined efforts of the research team: Anthony Jackson, Helen Rees Leahy, Paul Johnson (Research Assistant, Centre for Applied Theatre Research, Manchester University) and Verity Walker (museum consultant and director of ‘Interpret-action’).41 cited
  • 2008Translating Tea: On the Semiotics of Interlingual Practice in the Hong Kong Museum of Tea Ware40 cited
  • 1998SHOPPING IN THE MUSEUM? CONSUMER SPACES AND THE REDEFINITION OF THE LOUVRE

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

35 cited
  • 2019Narratology33 cited
  • 2008On the Advantage and Disadvantage of Sentimental History for Life31 cited
  • 2007Exhibition as Film30 cited