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  • 2016The Cambridge Companion to Percussion73 cited
  • 2016Instruments of Music Theory58 cited
  • 2002Music theory and mathematics51 cited
  • 2016Performance Practice in the Music of Steve Reich47 cited
  • 2008A Revisionist History of Twelve-Tone Serialism in American Music36 cited
  • 1993Getting Rid of the Glue: The Music of the New York School30 cited
  • 2007A Model of Melodic Expectation for Some Neo-Romantic Music of Penderecki29 cited
  • 2016In the beginning was the beat29 cited
  • 2008The spectral music of James Tenney18 cited
  • 2014Artistic Experimentation in Music: An Anthology15 cited
  • 2011The Origins of “Dissonant Counterpoint”: Henry Cowell's Unpublished Notebook13 cited
  • 2010Sonorystyka w twórczości kompozytorów polskich XX wieku12 cited
  • 1998Avant-garde and experimental music11 cited
  • 2019Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War10 cited
  • 2011Tiling in My Music7 cited
  • 1998Serialism and complexity

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6 cited