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Jazz Among the Discourses
6 references·16 citing·40 second hop
Jazz Among the Discourses (1995)Jazz Among the DiscoursesQueering the pitch: the new gay and lesbian musicology (1995)Queering the pitch: the new g…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Constructing the Jazz Tradition: Jazz Historiography (1991)Constructing the Jazz Traditi…The Signifying Monkey: A Theory of Afro-American Literary Criticism (1989)The Signifying Monkey: A Theo…Critical terms for literary study (1989)Critical terms for literary s…Contemplating Music: Challenges to Musicology (1989)Contemplating Music: Challeng…Big Ears: Listening for Gender in Jazz Studies (2020)Big Ears: Listening for Gende…McKinney’s Cotton Pickers and the “Unseen Audience”: Constructing Blackness on the Radio (2019)McKinney’s Cotton Pickers and…Storytelling in jazz improvisation: Implications of a rich intermedial metaphor (2014)Storytelling in jazz improvis…Rhymin' and stealin': musical borrowing in hip-hop (2014)Rhymin' and stealin': musical…Sensemaking and sensegiving stories of jazz leadership (2012)Sensemaking and sensegiving s…SEPARATED AT “BIRTH”: (2008)SEPARATED AT “BIRTH”:IDENTITY FOR SALE: (2008)IDENTITY FOR SALE:Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions (2008)Exclusion, Openness, and Utop…Objects of Desire: Canon Formation and Blues Record Collecting (2006)Objects of Desire: Canon Form…Birth of the school: discursive methodologies in jazz education (2006)Birth of the school: discursi…Early Jazz Literature (And Why You Didn't Know) (2004)Early Jazz Literature (And Wh…The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)The Girl and the Phonograph; …Popular Songs and Comic Allusion in Contemporary Cinema (2001)Popular Songs and Comic Allus…Cinema and Popular Song (2001)Cinema and Popular SongLangston Hughes and the “Nonsense” of Bebop (2000)Langston Hughes and the “Nons…Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)Cosmopolitan or Provincial?: …'There ain't no black in the Union Jack' : the cultural politics of race and nation (1987)Racial Formation in the United States: From the 1960s to the 1990s (1994)Critical Race Theory: The Key Writings That Formed the Movement (1996)“Everybody Step”: Irving Berlin, Jazz, and Broadway in the 1920s (2006)Marshall Winslow Stearns and the Politics of Jazz Historiography (2012)Semiotic Dimensions of Creativity (2014)Literary Theory: An Introduction (1984)The cultural biography of things: commoditization as process (1986)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Popular Music Studies and the Problems of Sound, Society and Method (2013)Record collections as musical archives: Gender, record collecting, and whose music is heard (2017)Sensemaking and sensegiving in strategic change initiation (1991)Sensemaking in Organizations (1996)Organizing and the Process of Sensemaking (2005)A narrative approach to strategy-as-practice (2013)Is critical leadership studies ‘critical’? (2016)The Role of Language in Organizational Sensemaking: An Integrative Theoretical Framework and an Agenda for Future Research (2023)Writing and Difference (1980)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Big ears: listening for gender in jazz studies (2009)Studying U.S. Music in the Twenty-First Century (2011)The Place of Story in the Study of Teaching and Teacher Education (1993)Poststructural feminism in education: An overview (2000)The Corporeal Politics of Quality (Suzhi) (2004)Defining and Measuring Sexual Orientation: A Review (1997)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Sounds of Power: An Overview of Musical Instruments and Gender (2008)Musicology as a Political Act (1993)The Imaginary Museum of Musical Works (1994)Baroque and rock: Music, mediators and musical taste (1997)The Rise of a Jazz Art World (2002)Uptown Conversation (2004)Jazz and the Disconnected: City Structural Disconnectedness and the Emergence of a Jazz Canon, 1897–1933 (2011)The Emperor Has No Clothes: Rewriting “Race in Organizations” (1992)If Meaning Is Constructed, What Is It Made From? Toward a Cultural Theory of Reading (2001)Is October Brown Chinese? A Cultural Modeling Activity System for Underachieving Students (2001)Performing the (Sound)World (2000)Psychology for Musicians (2007)What Is Sociological about Music? (2010)
this work references cited by second hop

References

  • 1989Critical terms for literary study1,249 cited
  • 1989The Signifying Monkey: A Theory of Afro-American Literary Criticism798 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality649 cited
  • 1991Constructing the Jazz Tradition: Jazz Historiography368 cited
  • 1989Contemplating Music: Challenges to Musicology350 cited
  • 1995Queering the pitch: the new gay and lesbian musicology221 cited

Cited by

  • 2012Sensemaking and sensegiving stories of jazz leadership95 cited
  • 1996Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-194074 cited
  • 2020Big Ears: Listening for Gender in Jazz Studies72 cited
  • 2006Objects of Desire: Canon Formation and Blues Record Collecting35 cited
  • 2014Rhymin' and stealin': musical borrowing in hip-hop32 cited
  • 2014Storytelling in jazz improvisation: Implications of a rich intermedial metaphor32 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2008IDENTITY FOR SALE:26 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2006
Birth of the school: discursive methodologies in jazz education
22 cited
  • 2000Langston Hughes and the “Nonsense” of Bebop22 cited
  • 2004Early Jazz Literature (And Why You Didn't Know)21 cited
  • 2008Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions19 cited
  • 2008SEPARATED AT “BIRTH”:18 cited
  • 2001Cinema and Popular Song16 cited
  • 2019McKinney’s Cotton Pickers and the “Unseen Audience”: Constructing Blackness on the Radio15 cited