SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
L’histoire de l’art et le quantitatif
13 references·0 citing·36 second hop
L’histoire de l’art et le quantitatif (2008)L’histoire de l’art et le quantitatifLes Amateurs d'art à Paris au XVIIIe siècle (2013)Les Amateurs d'art à Paris au…Les vertus de la reproduction (2008)Les vertus de la reproductionL’art de la mesure (2007)L’art de la mesureAnticipating Artistic Behavior (2004)Anticipating Artistic BehaviorMeasuring Masters and Masterpieces (2002)Measuring Masters and Masterp…Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century (2002)Careers and Canvases: The Ris…Inventivité et sérialité des images médiévales. Pour une approche iconographique élargie (1996)Inventivité et sérialité des …Le champ des avant-gardes (1991)Le champ des avant-gardesAndré Chastel, historien de l'art (1991)André Chastel, historien de l…The Anatomy of Painting Style: Description with Computer Rules (1988)The Anatomy of Painting Style…Le phénix culturel: de la résurrection dans l'histoire de l'art L'exemple des peintres français (1650-1750) (1986)Le phénix culturel: de la rés…Le lieu du génie. Remarques sur la géographie de l'art (1983)Le lieu du génie. Remarques s…Domination symbolique et géographie artistique (1981)Domination symbolique et géog…The Complete Letters of Vincent Van Gogh (1959)The History of Impressionism (1976)Monet: Or the Triumph of Impressionism (1996)Creativity from interaction: Artistic movements and the creativity careers of modern painters (2009)The Paradox of Controversial Innovation: Insights From the Rise of Impressionism (2016)Placing Collaborative Circles in Strategic Action Fields: Explaining Differences between Highly Creative Groups* (2017)Theories of Modern Art. A Source Book by Artists and Critics (1969)The collected essays and criticism (1986)The Painter of Modern Life and Other Essays (1986)Creativity and Life Cycles of Artists (2006)One-Hit Wonders in Classical Music: Evidence and (Partial) Explanations for an Early Career Peak (2008)Secret Knowledge : Rediscovering the Lost Techniques of the Old Masters (1969)The Oxford history of western art (2000)Longitudinal hit ratios of classical composers: Reconciling "Darwinian" and expertise acquisition perspectives on lifespan creativity. (2008)Conceptual revolutions in twentieth-century art (2010)Theories of Creativity (2010)Foucault (1986)L' origine de la perspective (1999)Omnes qui coram hac imagine genua flexerint... La vénération d'images de saints et de la Vierge d'après les textes écrits en Angleterre du milieu du XIe siècle aux premières décennies du XIIIe siècle (2006)Matters of visuality in legitimation practices: Dual iconographies in a meeting room (2016)The Bronze Object in the Middle Ages (2016)The visible part: Of art galleries, artistic activity and urban dynamics. Presentation and first results of a research project (2017)Institutional anomalies in the contemporary art market (1995)The Social Place of the Portuguese Punk Scene: an Itinerary of the Social Profiles of its Protagonists (2017)The cultural hierarchy in funding: Government funding of the performing arts based on ethnic and geographic distinctions (2015)From Global to Local Creative Dynamics: The Location Patterns of Art Galleries (2017)The Renaissance Reform of the Book and Britain (2019)Computer imagery: imitation and representation of realities (1989)Computational Aesthetics: On the Complexity of Computer-Generated Paintings (2012)Generation of Kandinsky Art (2014)Persistence and fashion in art Italian Renaissance from Vasari to Berenson and beyond (2005)Mesurer la réputation (2008)Evaluating Excellence in the Arts (2014)Learning to Look: Visual Expertise across Art and Science in Eighteenth-Century France (2012)Mastering the Connoisseur's Eye: Paintings, Criticism, and the Canon in Dutch and Flemish Travel Culture, 1600-1750 (2012)Metaphors of Collecting in Late Nineteenth Century Paris (2016)
this work references cited by second hop

References

  • 1996Inventivité et sérialité des images médiévales. Pour une approche iconographique élargie64 cited
  • 1981Domination symbolique et géographie artistique58 cited
  • 1988The Anatomy of Painting Style: Description with Computer Rules56 cited
  • 2002Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century37 cited
  • 1986Le phénix culturel: de la résurrection dans l'histoire de l'art L'exemple des peintres français (1650-1750)24 cited
  • 2004Anticipating Artistic Behavior23 cited
  • 1991Le champ des avant-gardes20 cited
  • 2013Les Amateurs d'art à Paris au XVIIIe siècle18 cited
  • 2007L’art de la mesure17 cited
  • 2002Measuring Masters and Masterpieces16 cited
  • 2008Les vertus de la reproduction11 cited
  • 1991André Chastel, historien de l'art4 cited
  • 1983Le lieu du génie. Remarques sur la géographie de l'art3 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work