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The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture
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  • 2014Religion40 cited
  • 1999Francesco II Gonzaga and maps as palace decoration in renaissance Mantua37 cited
  • 2012A “True Likeness”: The Renaissance City Portrait31 cited
  • 2011The art of building in the classical world: vision, craftsmanship, and linear perspective in Greek and Roman architecture26 cited
  • 2014The Cambridge Companion to the Italian Renaissance21 cited
  • 2019Eyewitness to Old St Peter's Basilica20 cited
  • 1997Women at the Windows: Commedia dell'arte and Theatrical Practice in Early Modern Italy18 cited
  • 2000Theater and Its Social Uses: Machiavelli's Mandragola and the Spectacle of Infamy18 cited
  • 2010The Model that Never Moved: The Case of a Virtual Memory Theater and Its Christian Philosophical Argument, 1700–173217 cited
  • 1999Meaning and Experience: Urban History from Antiquity to the Early Modern Period17 cited
  • 2017The Architecture of the Christian Holy Land: Reception from Late Antiquity through the Renaissance16 cited
  • 2014Artistic geographies14 cited
  • 2014Artists’ workshops14 cited
  • 2016Recto Verso: Redefining the Sketchbook14 cited
  • 2016

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First Principles: Gabriele Stornaloco and Milan Cathedral
10 cited
  • 2003Designed for Ceremony: The Cappella Paolina at the Vatican Palace5 cited