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Music Scenes: Local, Translocal, and Virtual.
0 references·16 citing·57 second hop
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  • 2004The Production of Culture Perspective705 cited
  • 2011Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010105 cited
  • 2013Gangs and gangsta rap in Chicago: A microscenes perspective78 cited
  • 2023Between Cultural Appreciation and Cultural Appropriation: Self-Authorizing the Consumption of Cultural Difference77 cited
  • 2011From Riot Grrrls to roller derby? Exploring the relations between gender, music and sport73 cited
  • 2020Staying in, rocking out: Online live music portal shows during the coronavirus pandemic67 cited
  • 2018Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom62 cited
  • 2012Breaking expectations: Imagined affinities in mediated youth cultures52 cited
  • 2015Networks of value in electronic music: SoundCloud, London, and the importance of place44 cited
  • 2022Keep it Simple, Make it Fast! An approach to underground music scenes41 cited
  • 2017Multi-Tasking and Making a Living from Music: Investigating Music Careers in the Independent Music Scene of Milan39 cited
  • 2019Consuming material authenticity in the age of digital reproduction38 cited
  • 2012Include ‘em all?: Culture, politics and a local hardcore/punk scene in the Czech Republic36 cited

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  • 2005Editorial: Popular Music and Leisure32 cited
  • 2015A community ecology of genres28 cited
  • 2019Innovation in Creative Industries: Does (Related) Variety Matter for the Creativity of Urban Music Scenes?28 cited