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Grove's Dictionary of Music and Musicians
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  • 1977Eminence, creativity, and geographical marginality: A recursive structural equation model.116 cited
  • 2007Agency and Change: Berlioz in Britain, 1870–1920113 cited
  • 1992The Decline of Improvisation in Western Art Music: An Interpretation of Change94 cited
  • 1979Schubert's Sonata Form and Brahms's First Maturity (II)82 cited
  • 1995The Sensuality of Timbre: Responses to Mahler and Modernity at the "Fin de siècle"68 cited
  • 1979Historic Site Content, Structure, and Function42 cited
  • 2014Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea35 cited
  • 1980Pitch, Tempo, and Timbral Preferences in Recorded Piano Music35 cited
  • 1989Modal Harmony in Andalusian, Eastern European, and Turkish Syncretic Musics32 cited
  • 1983Stylistic Evolution in European Music28 cited
  • 2005Bach's extraordinary temperament: our Rosetta Stone--127 cited
  • 2011An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update26 cited
  • 2012Services, innovation, employment and organisation: research gaps and challenges for the next decade25 cited
  • 1999Women and the music profession in Victorian England: The Royal Society of Female Musicians, 1839–1866

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20 cited
  • 2002The Memories of "The Dead"20 cited
  • 1984‘Not appreciated in Worthing?’ Class expression and popular song texts in mid-nineteenth-century Britain19 cited