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The record producer as nexus : creative inspiration, technology and the recording industry
16 references·6 citing·30 second hop
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References

  • 1990Flow: the psychology of optimal experience12,637 cited
  • 1982The Dialogic Imagination: Four Essays7,540 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 1999How the Mind Works3,738 cited
  • 2000Autoethnography, Personal Narrative, Reflexivity: Researcher as Subject2,403 cited
  • 1986Introduction: Partial Truths2,200 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 2003The Classical Hollywood Cinema728 cited
  • 1937The Shorter Oxford English Dictionary592 cited
  • 2003Group creativity: music, theater, collaboration490 cited
  • 1995Repeated Takes: A Short History of Recording and its Effects on Music433 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 1988The Recording Angel: Music, Records and Culture from Aristotle to Zappa286 cited
  • 2002The poetics of rock: cutting tracks, making records235 cited
  • 2003Cut `n' Mix222 cited

Cited by

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  • 2024Music, Encounter, Togetherness17 cited
  • 2019Music production in Swedish higher education : History and future challenges14 cited
  • 2019Defining contemporary metal music: Performance, sounds and practices13 cited
  • 2020Learning the ‘tracker’ process: A case study into popular music pedagogy9 cited
  • 2015In Search of Nirvana: WhyNirvana: The True StoryCould Never Be “True”4 cited
  • 2024Putting the ego aside: A case study of the peer-to-peer feedback dialogue among electronic popular music makers within higher education3 cited