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Form and Style in the Music of U2
16 references·0 citing·32 second hop
Form and Style in the Music of U2 (2008)Form and Style in the Music of U2Beyond the Sonata Principle (2002)Beyond the Sonata PrincipleAuthenticity as authentication (2002)Authenticity as authenticationThe Beatles as musicians: Revolver through the Anthology (1999)The Beatles as musicians: Rev…Syncopation in rock: a perceptual perspective (1999)Syncopation in rock: a percep…The so-called ‘flattened seventh’ in rock (1995)The so-called ‘flattened seve…Popular music analysis and musicology: bridging the gap (1993)Popular music analysis and mu…Phrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicWhy 1955? Explaining the advent of rock music (1990)Why 1955? Explaining the adve…Studying Popular Music (1990)Studying Popular MusicPhenomenology as a Tool for Musical Analysis (1984)Phenomenology as a Tool for M…Another boring day in paradise: rock and roll and the empowerment of everyday life (1984)Another boring day in paradis…Analysing popular music: theory, method and practice (1982)Analysing popular music: theo…Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…Structural Functions in Music (1977)Structural Functions in MusicEmotion and Meaning in Music (1961)Emotion and Meaning in MusicOn Popular Music (1941)On Popular MusicSound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Television: Polysemy and popularity (1986)Performing the (Sound)World (2000)One less car: bicycling and the politics of automobility (2011)Cycles in Symbol Production: The Case of Popular Music (1975)Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Producing Artistic Value: The Case of Rock Music (1994)The Production of Culture Perspective (2004)Emotion and Meaning in Music (1957)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)Texture as a Sign in Classic and Early Romantic Music (1982)Fantasy Pieces (1999)Meter and Grouping in African Music: A View from Music Theory (2000)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Classical Cadence: Conceptions and Misconceptions (2004)Music in Everyday Life (2000)The Mediatization of Society (2008)Normalizing the Abnormal: Disability in Music and Music Theory (2006)MEDIA AND THE SOCIAL CONSTRUCTION OF REALITY (1984)Insect Media: An Archaeology of Animals and Technology (2010)
this work references cited by second hop

References

  • 1961Emotion and Meaning in Music1,957 cited
  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1990Studying Popular Music606 cited
  • 2002Authenticity as authentication485 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 1941On Popular Music400 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 1977Structural Functions in Music330 cited
  • 1990Why 1955? Explaining the advent of rock music289 cited
  • 1984Another boring day in paradise: rock and roll and the empowerment of everyday life216 cited
  • 1999The Beatles as musicians: Revolver through the Anthology205 cited
  • 1999Syncopation in rock: a perceptual perspective145 cited
  • 1995The so-called ‘flattened seventh’ in rock140 cited
  • 2002Beyond the Sonata Principle135 cited
  • 1984Phenomenology as a Tool for Musical Analysis135 cited
  • 1993Popular music analysis and musicology: bridging the gap131 cited

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