SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Julia Margaret Cameron: Her Life and Photographic Work
0 references·11 citing·28 second hop
Julia Margaret Cameron: Her Life and Photographic Work (1975)Julia Margaret Cameron: Her Life and Phot…Still Shakespeare and the Photography of Performance (2019)Still Shakespeare and the Pho…La mujer como objeto (modelo) y sujeto (fotógrafa) en la fotografía (2014)La mujer como objeto (modelo)…‘She Shall Be Made Immortal’: Julia Margaret Cameron’s Photography and the Construction of Celebrity (2013)‘She Shall Be Made Immortal’:…Beyond representation: Claude Cahun's monstrous mischief-making (2005)Beyond representation: Claude…‘Mountain Nymph’ and ‘Damnèd Villain’ (2003)‘Mountain Nymph’ and ‘Damnèd …"Shadowing Sense at war with Soul": Julia Margaret Cameron's Photographic Illustrations of Tennyson's Idylls of the King (2002)"Shadowing Sense at war with …‘There is a Garden in her Face’: Madame Yevonde's Photographic Colour (2002)‘There is a Garden in her Fac…"Simply Pictures of Peasants": Artistry, Authorship, and Ideology in Julia Margaret Cameron's Photography in Sri Lanka, 1875-1879 (1996)"Simply Pictures of Peasants"…Ideology and the portrait: Recovering the ‘silent image of woman’ in the work of Julia Margaret Cameron (1995)Ideology and the portrait: Re…The Occidental Alice (1990)The Occidental AliceStillman, Ruskin & Rossetti: The Struggle Between Nature and Art (1979)Stillman, Ruskin & Rossetti: …Visual Pleasure and Narrative Cinema (1975)Compulsory Heterosexuality and Lesbian Existence (1980)Compulsory Heterosexuality and Lesbian Existence (1980) (2003)Tennyson: The Unquiet Heart (1982)Iconology: Image, Text, Ideology (1986)Framing the Victorians (1996)Photopoetry and the Problem of Translation in FitzGerald's Rubáiyát (2016)Queer and Bookish (2022)Image-Music-Text (1977)White Mythologies: Writing History and the West (1991)3. Of Mimicry and Man: The Ambivalence of Colonial Discourse (2019)Powers of Horror: An Essay on Abjection (1984)Skin Shows (1995)Fashioning Sapphism: the origins of a modern English lesbian culture (2001)The Relevance of the Beautiful and Other Essays (1988)The Relevance of the Beautiful and Other Essays. (1991)Camera Lucida: Reflections on Photography (2001)John Singer Sargent, his portrait (1986)Julia Margaret Cameron: the complete photographs (2003)The Work of Art in the Age of Mechanical Reproduction (2007)A Short History of Shakespeare in Performance (2021)The Social Life of Things (1986)Cultural Studies (2006)Occidentalism and accountability: constructing culture and cultural difference in majority Greek talk about the minority in Western Thrace (2009)The History of Sexuality: An Introduction (2012)Capital: A Critique of Political Economy (2020)La fotografía documental como recurso en la obra de mujeres artistas: de la "flâneuse" a la cronista de realidades inventadas (2018)William James Stillman. Images in the Archives of the Society for the Promotion of Hellenic Studies (2009)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2019Still Shakespeare and the Photography of Performance39 cited
  • 1990The Occidental Alice34 cited
  • 2014La mujer como objeto (modelo) y sujeto (fotógrafa) en la fotografía13 cited
  • 2003‘Mountain Nymph’ and ‘Damnèd Villain’12 cited
  • 2002"Shadowing Sense at war with Soul": Julia Margaret Cameron's Photographic Illustrations of Tennyson's Idylls of the King11 cited
  • 2005Beyond representation: Claude Cahun's monstrous mischief-making7 cited
  • 1996"Simply Pictures of Peasants": Artistry, Authorship, and Ideology in Julia Margaret Cameron's Photography in Sri Lanka, 1875-18796 cited
  • 1979Stillman, Ruskin & Rossetti: The Struggle Between Nature and Art4 cited
  • 1995Ideology and the portrait: Recovering the ‘silent image of woman’ in the work of Julia Margaret Cameron3 cited
  • 2002‘There is a Garden in her Face’: Madame Yevonde's Photographic Colour2 cited
  • 2013‘She Shall Be Made Immortal’: Julia Margaret Cameron’s Photography and the Construction of Celebrity1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work