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Gesammelte schriften und dichtungen
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  • 2009Defining the Term 'Absolute Music' Historically106 cited
  • 2010Wagner's Ring Cycle and the Greeks105 cited
  • 1981The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis83 cited
  • 1997Schumann and Romantic Distance61 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2017Liszt and the Symphonic Poem56 cited
  • 2001A Concert of Paintings: “Musical Ekphrasis” in the Twentieth Century48 cited
  • 2012The total work of art in European modernism47 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1989What is a musical drama?40 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 1985Appia, Jaques-Dalcroze, and Hellerau, Part One: ‘Music Made Visible’32 cited
  • 2016Parametric Interaction in Tonal Repertoires29 cited
  • 2013Cosmopolitanism in the Age of Nationalism, 1848–191427 cited
  • 1994Die Politisierung der Musik nach 191823 cited
  • 2013The Cambridge Companion to the Symphony

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22 cited