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The Haunted Screen: Expressionism in the German cinema and the influence of Max Reinhardt
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Cited by

  • 2019Gestural Imaginaries103 cited
  • 1999Moving Pictures92 cited
  • 2007Film Architecture and the Transnational Imagination52 cited
  • 2014Animating the Instant37 cited
  • 2014“First Principles” of Animation35 cited
  • 2019What is Film Atmosphere?27 cited
  • 2017Overlooking the Ephemeral26 cited
  • 2010Ambivalent Agency: Gestural Performances of Hands in Weimar Dance and Film24 cited
  • 2008A short history of film15 cited
  • 2014André Martin, Inventor of Animation Cinema13 cited
  • 2014Signatures of Motion12 cited
  • 2014Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine12 cited
  • 2019Modernist belatedness in contemporary slow cinema11 cited
  • 2014Animating Film Theory10 cited
  • 2014Big Window, Big Other: Enjoyment and Spectatorship in Alfred Hitchcock'sRope9 cited
  • 2025The Eternal Wanderer9 cited

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