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Mobilizing the cartographic paradox: tracing the aspect of cartography and prospect of cinema
16 references·2 citing·30 second hop
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References

  • 1991The Condition of Postmodernity8,605 cited
  • 2002Visual methodologies: an introduction to the interpretation of visual materials2,161 cited
  • 1994Downcast eyes: the denigration of vision in twentieth-century French thought1,502 cited
  • 1991Primate Visions: Gender, Race, and Nature in the World of Modern Science.1,432 cited
  • 2004A History of Spaces: Cartographic Reason, Mapping and the Geo-Coded World912 cited
  • 1983The Imaginary Signifier: Psychoanalysis and the Cinema838 cited
  • 1993Window shopping: cinema and the postmodern607 cited
  • 1981Questions of Cinema599 cited
  • 1985The Art of Describing. Dutch Art in the Seventeenth Century366 cited
  • 1994Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought.242 cited
  • 1978The Renaissance Rediscovery of Linear Perspective210 cited
  • 2004A Companion to Cultural Geography176 cited
  • 2006Film geography: A new subfield100 cited
  • 1996Mapping reality: an exploration of cultural cartographies95 cited
  • 2005Engineering space and time: moving pictures and motionless trips76 cited
  • 1995

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Distance, Surface, Elsewhere: A Feminist Critique of the Space of Phallocentric Self/Knowledge
68 cited

Cited by

  • 2018“But how do you show that in a film?” Absence, Cartographic Anxiety, and Geographic Realism through the Landscapes of Akira Kurosawa’sDersu Uzala5 cited
  • 2014A Spatial Typology of Cinematographic Narratives5 cited