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Music and theatre in Handel's world: the family papers of James Harris, 1732-1780
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Music and theatre in Handel's world: the family papers of James Harris, 1732-1780 (2003)Music and theatre in Handel's world: the …Music and the Sonorous Sublime in European Culture, 1680–1880 (2020)Music and the Sonorous Sublim…‘Sancta Cæcilia Rediviva’. Elizabeth Linley: Repertoire, Reputation and the English Voice (2015)‘Sancta Cæcilia Rediviva’. El…Courting Gentility: Handel at the Bank of England (2010)Courting Gentility: Handel at…Handel at a Crossroads: His 1737-1738 and 1738-1739 Seasons Re-Examined (2009)Handel at a Crossroads: His 1…Arne, Handel, the Beautiful, and the Sublime (2009)Arne, Handel, the Beautiful, …Claver Morris, an Early Eighteenth-Century English Physician and Amateur MusicianExtraordinaire (2008)Claver Morris, an Early Eight…Two Spanish brothers revisited: recent research surrounding the life and instrumental music of Juan Bautista Pla and Jose Pla (2007)Two Spanish brothers revisite…Early music's dramatic significance in Handel's Saul (2007)Early music's dramatic signif…'The ingenious Miss Turner': Elizabeth Turner (d 1756), singer, harpsichordist and composer (2005)'The ingenious Miss Turner': …Handel the Investor (2004)Handel the InvestorNew Light on John Hoadly and His 'Poems Set to Music by Dr. Greene' (2003)New Light on John Hoadly and …Handel; A Documentary Biography (1955)The Financial Revolution in England. A Study in the Development of Public Credit, 1688-1756. (1967)A General History of the Science and Practice of Music (2011)The Rise of Financial Capitalism: International Capital Markets in the Age of Reason. (1992)The London Stock Exchange: a history (2000)Newton's financial misadventures in the South Sea Bubble (2018)Boom and Bust (2020)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759) (1996)The New Grove dictionary of music and musicians (2001)Sounds of Sedition: Music and Emotion in Ireland, 1780–1845 (2014)Music and Society: The Politics of Composition, Performance and Reception. (1988)Gender and the Musical Canon (1994):An Ordered Society: Gender and Class in Early Modern England (1997)David Garrick: A Critical Biography (1980)The New Oxford Book of Eighteenth Century Verse. (1988)Enlightenment Prelate: Benjamin Hoadly, 1676-1761 (2004)Handel's Dramatic Oratorios and Masques (1959)Handel's Oratorios and Eighteenth-Century Thought (1995)Timpani and percussion (2002)Music in European Capitals: The Galant Style, 1720-1780 (2003)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)An essay on musical expression (2013)An Odd Attempt in a Woman: The Literary Life of Frances Brooke (1983)"Giant HANDEL" and the Musical Sublime (1986)The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769. (1994)Music and Theatre in Handel's World: The Family Papers of James Harris, 1732-80 (2003)A General History of Music, from the Earliest Ages to the Present Period (2018)Private Correspondence (2024)The Postmodern Condition: A Report on Knowledge (1984)Between Men (1985)Reassembling the Social (2005)
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Cited by

  • 2004Handel the Investor29 cited
  • 2020Music and the Sonorous Sublime in European Culture, 1680–188026 cited
  • 2009Arne, Handel, the Beautiful, and the Sublime20 cited
  • 2007Two Spanish brothers revisited: recent research surrounding the life and instrumental music of Juan Bautista Pla and Jose Pla11 cited
  • 2009Handel at a Crossroads: His 1737-1738 and 1738-1739 Seasons Re-Examined6 cited
  • 2010Courting Gentility: Handel at the Bank of England3 cited
  • 2005'The ingenious Miss Turner': Elizabeth Turner (d 1756), singer, harpsichordist and composer3 cited
  • 2003New Light on John Hoadly and His 'Poems Set to Music by Dr. Greene'3 cited
  • 2007Early music's dramatic significance in Handel's Saul3 cited
  • 2015‘Sancta Cæcilia Rediviva’. Elizabeth Linley: Repertoire, Reputation and the English Voice2 cited
  • 2008Claver Morris, an Early Eighteenth-Century English Physician and Amateur MusicianExtraordinaire2 cited

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