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Sounds of Sedition: Music and Emotion in Ireland, 1780–1845 · Study

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ArticleSounds of Sedition: Music and Emotion in Ireland, 1780–1845

Katie Barclay2014

Article2014

Sounds of Sedition: Music and Emotion in Ireland, 1780–1845

19 citations·0/0 files stored·Cultural History

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Musicology and Musical Analysis Music History and Culture History of Emotions Research

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Katie Barclay

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References

2010The Theory of Moral Sentiments 1997Strange fits of passion: epistemologies of emotion, Hume to Austen 2018A Philosophical Inquiry Into the Origin of our Ideas of the Sublime and Beautiful 2020The Social Theory of the Scottish Enlightenment 1996The Struggle for the Breeches: Gender and the Making of the British Working Class.2006The Enlightenment and the Book: Scottish Authors and Their Publishers in Eighteenth-Century Britain, Ireland, and America 2000Essays And Treatises On Several Subjects 2001Imagining the king's death: figurative treason, fantasies of regicide, 1793-1796

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Details

Year2014

Typearticle

Published2014-03-18

VenueCultural History

ISSN-L2045-290X

Languageen

Citations19

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.3366/cult.2014.0054

openalex_workW2004477972

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