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Sounds of Sedition: Music and Emotion in Ireland, 1780–1845
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References

  • 2010The Theory of Moral Sentiments3,128 cited
  • 1997Strange fits of passion: epistemologies of emotion, Hume to Austen494 cited
  • 2018A Philosophical Inquiry Into the Origin of our Ideas of the Sublime and Beautiful432 cited
  • 2020The Social Theory of the Scottish Enlightenment323 cited
  • 1996The Struggle for the Breeches: Gender and the Making of the British Working Class.299 cited
  • 2006The Enlightenment and the Book: Scottish Authors and Their Publishers in Eighteenth-Century Britain, Ireland, and America240 cited
  • 2000Essays And Treatises On Several Subjects239 cited
  • 2009Dark side of the tune: popular music and violence203 cited
  • 2001Imagining the king's death: figurative treason, fantasies of regicide, 1793-1796203 cited
  • 1995Music and the Origins of Language202 cited
  • 2007The Invention of 'Folk Music' and 'Art Music': Emerging Categories from Ossian to Wagner129 cited
  • 2009Passion is the gale: emotion, power, and the coming of the American Revolution119 cited
  • 2003Encyclopedia of the Enlightenment110 cited
  • 2019Essays on Poetry and Music, as They Affect the Mind 1762108 cited
  • 2010The Enlightenment of Sympathy: Justice and the Moral Sentiments in the Eighteenth Century and Today

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107 cited
  • 2000Sentimentalism and Its Erasure: The Role of Emotions in the Era of the French Revolution106 cited
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