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How music video has changed, and how it has not changed: 1991 vs. 1985
9 references·0 citing·31 second hop
How music video has changed, and how it has not changed: 1991 vs. 1985 (1994)How music video has changed, and how it h…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Sound and vision: the music video reader (1994)Sound and vision: the music v…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Popular Music and Communication (1993)Popular Music and Communicati…Music Videos, Performance and Resistance: Feminist Rappers (1991)Music Videos, Performance and…Music, television, and video: Historical and aesthetic considerations (1987)Music, television, and video:…Dreams and Mediation in Music Video. (1986)Dreams and Mediation in Music…Music Video and the Spectator: Television, Ideology and Dream (1984)Music Video and the Spectator…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Music for pleasure: essays in the sociology of pop (1989)Talking Back: Thinking Feminist – Thinking Black (1989)Age Ain't nothing but a number: A cross‐cultural reading of popular music in the construction of sexual expression among at‐risk adolescents (1997)Women's studies and popular music stereotypes (1999)“Under Construction”: Identifying Foundations of Hip-Hop Feminism and Exploring Bridges between Black Second-Wave and Hip-Hop Feminism (2007)Moving Lips: Cinema as Ventriloquism (1980)A content analysis of music videos (1985)Violence and Sex in Music Videos: TV and Rock ‘n’ Roll (1986)Music Video as Communication: Popular Formulas and Emerging Genres (1992)Visualising 1950s hits on Your Hit Parade (1998)Le clip comme forme d’expression musico-visuelle : pour une esthétique de la relation musique-images (2018)When Is Meaning? Communication Theory, Pragmatism, and Mass Media Reception (1991)Profile: Variations in music videos as a function of their musical genre (1994)Structural relationships of music and images in music video (1994)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Oneiric Metaphor in Film Theory (2002)Co-Evolution of Firm Capabilities and Industry Competition: Investigating the Music Industry, 1877-1997 (2001)Sponsorship and advertising: A comparison of consumer perceptions (2001)Understanding sponsorship effects (2001)“Where My Girls At?” (2002)“Check On It” (2011)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)The Global Impact of Gangs (2005)Controversial Rap Themes, Gender Portrayals and Skin Tone Distortion: A Content Analysis of Rap Music Videos (2009)“White and Nerdy”: Computers, Race, and the Nerd Stereotype (2011)
this work references cited by second hop

References

  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.306 cited
  • 1994Sound and vision: the music video reader298 cited
  • 1984Music Video and the Spectator: Television, Ideology and Dream124 cited
  • 1993Popular Music and Communication92 cited
  • 1991Music Videos, Performance and Resistance: Feminist Rappers25 cited
  • 1987Music, television, and video: Historical and aesthetic considerations19 cited
  • 1986Dreams and Mediation in Music Video.10 cited

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