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Iconography and the Professional Reader : The Politics of Book Production in the Douce Piers Plowman
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  • 2003The Cambridge History of Early Modern English Literature88 cited
  • 2014The versions and revisions ofPiers Plowman43 cited
  • 2017The Cambridge History of Ireland35 cited
  • 2004Two Professional Readers of Chaucer and Langland: Scribe D and the HM 114 Scribe23 cited
  • 2003Manuscript transmission and circulation22 cited
  • 2003Literature and the theatre to 166019 cited
  • 2003Print, literary culture and the book trade13 cited
  • 2014Allegory andPiers Plowman10 cited
  • 2008Manuscript Studies, Literary Value, and the Object of Chaucer Studies10 cited
  • 2014Plowman traditions in late medieval and early modern writing9 cited
  • 2014Manuscripts and readers ofPiers Plowman7 cited
  • 2017Late Medieval Ireland in a Wider World7 cited
  • 2014Literary history andPiers Plowman6 cited
  • 2014Christian philosophy inPiers Plowman6 cited
  • 2014Major episodes and moments inPiers PlowmanB5 cited
  • 2014The Cambridge Companion to Piers Plowman

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5 cited