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A Broken Record: Subjecting ‘Music’ to Cultural Rights
16 references·4 citing·33 second hop
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References

  • 1983Time and the Other: How Anthropology Makes Its Object6,775 cited
  • 1961The Concept of Law3,561 cited
  • 1995The Politics of Recognition2,452 cited
  • 2003The Audible Past1,821 cited
  • 2010Considerations on Representative Government1,696 cited
  • 2002Archives, records, and power: The making of modern memory910 cited
  • 1992Superseding Historic Injustice885 cited
  • 2019The Origins of Indigenism850 cited
  • 2003Information Feudalism: Who Owns the Knowledge Economy?826 cited
  • 2025Minority Cultures and the Cosmopolitan Alternative628 cited
  • 2001The Idea of Culture578 cited
  • 1992The Rights of Minority Cultures556 cited
  • 2000Society and Sentiment536 cited
  • 1996Pygmy POP. A Genealogy of Schizophonic Mimesis283 cited
  • 2005Heritage Trouble: Recent Work on the Protection of Intangible Cultural Property273 cited
  • 1995Aesthetics and ideology208 cited

Cited by

  • 2019Sonic Sovereignty: Performing Hopi Authority in Öngtupqa

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24 cited
  • 2017Repatriation and the Radical Redistribution of Art23 cited
  • 2022Diving Deeper into the Concept of ‘Cultural Heritage’ and Its Relationship with Epistemic Diversity19 cited
  • 2019Banging the same old colonial drum? Moving from individualising practices and cultural appropriation to the ethical application of alternative practices in social work6 cited