A Broken Record: Subjecting ‘Music’ to Cultural Rights

Elizabeth Burns Coleman · Rosemary J. Coombe · Fiona MacArailt

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Diverse Musicological Studies Intellectual Property Law Indigenous Peoples' Rights and Law

Abstract

This chapter contains sections titled: Introduction Tradition and Modernity: Culture, Works and Others Record Collection and Salvage Paradigms Preserving Indigenous ‘Music’: Rights and Responsibilities The Harms of Appropriation Information Society Rights-Based Arguments for Restitution and Limited Properties Repatriation and Recollection Conclusion Acknowledgments References

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1983Time and the Other: How Anthropology Makes Its Object 1961The Concept of Law 1995The Politics of Recognition 2003The Audible Past 2010Considerations on Representative Government 2002Archives, records, and power: The making of modern memory 1992Superseding Historic Injustice 2019The Origins of Indigenism

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2019Sonic Sovereignty: Performing Hopi Authority in Öngtupqa 2017Repatriation and the Radical Redistribution of Art 2022Diving Deeper into the Concept of ‘Cultural Heritage’ and Its Relationship with Epistemic Diversity 2019Banging the same old colonial drum? Moving from individualising practices and cultural appropriation to the ethical application of alternative practices in social work

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