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The works of Beaumont and Fletcher
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The works of Beaumont and Fletcher (1812)The works of Beaumont and FletcherCrowd Control (2011)Crowd ControlDuration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time? (2010)Duration of Performances and …Paratexts in Francis Beaumont's The Knight of the Burning Pestle (2009)Paratexts in Francis Beaumont…Collaborating across Generations: Thomas Heywood, Richard Brome, and the Production of The Late Lancashire Witches (2000)Collaborating across Generati…Admirable Musicians: Women's Songs in Othello and The Maid's Tragedy (1994)Admirable Musicians: Women's …Vanbrugh and Cibber: Language, Place, and Social Order in The Relapse (1987)Vanbrugh and Cibber: Language…The Complete Works (1943)The crisis of the aristocracy, 1558-1641 (1965)Some thoughts concerning education (1990)A bibliography of the English printed drama to the restoration (1939)Paratexts: Thresholds of Interpretation (1997)Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama (1997)Why was The Knight of the Burning Pestle Revived? (2019)The Complete Works of Shakespeare (1854)Narrative and Dramatic Sources of Shakespeare (1974)Playgoing in Shakespeare's London. (1988)Being-in-Light at the Early Modern and Reconstructed Theatres (2015)Shakespeare Performance Studies (2017)The Distribution and Ordering of Speeches and Shakespearean Revision (2018)The Politics and Poetics of Transgression (1988)The field of Cultural Production (2002)The Cambridge Introduction to Early Modern Drama, 1576–1642 (2014)Rabelais and his world (2020)Anatomy of Criticism (1957)A New history of early English drama (1997)Shakespeare Our Contemporary (1965)Renaissance Self-Fashioning from More to Shakespeare (1982)Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher (2001)
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  • 2010Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time?41 cited
  • 1994Admirable Musicians: Women's Songs in Othello and The Maid's Tragedy19 cited
  • 2011Crowd Control16 cited
  • 2000Collaborating across Generations: Thomas Heywood, Richard Brome, and the Production of The Late Lancashire Witches10 cited
  • 2009Paratexts in Francis Beaumont's The Knight of the Burning Pestle7 cited
  • 1987Vanbrugh and Cibber: Language, Place, and Social Order in The Relapse3 cited

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