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Cited by

• 2010The ‘Other’ Laughs Back: Humour and Resistance in Anti-racist Comedy129 cited
• 2014Brownface Minstrelsy: “José Jiménez,” the Civil Rights Movement, and the legacy of racist comedy35 cited
• 2013A Critical Performance Pedagogy That Matters29 cited
• 2009“DARN THAT MERRY WIDOW HAT”: THE ON- AND OFFSTAGE LIFE OF A THEATRICAL COMMODITY, CIRCA 1907–190824 cited
• 2009Paul Laurence Dunbar and the Marshall Circle: Racial Representation from Blackface to Black Naturalism20 cited
• 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited
• 2012Sam Cooke as Pop Album Artist—A Reinvention in Three Songs14 cited
• 2008The Comic Side of Gender Trouble and Bert Williams’ Signature Act13 cited
• 2017“Who’s Afraid of the Dark?”: The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music11 cited
• 2019Restructuring Respectability, Gender, and Power: Aida Overton Walker Performs a Black Feminist Resistance10 cited
• 2014Toward a “Modernizing” Hybridity: McAdoo’s Jubilee Singers, McAdoo’s Minstrels, and Racial Uplift Politics in South Africa, 1890–18985 cited
• 2007Race and Gender in the Broadway Chorus2 cited