Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation

David Wiles

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Theatre and Performance Studies Classical Antiquity Studies Arts and Performance Studies

Abstract

1. Introduction 2. The evidence of vases 3. The sculptural art of the Greek mask-maker 4. Mask and modernism 5. Physical theatre and mask in the twentieth century 6. Mask and text: the case of Hall's Oresteia 7. The mask as musical instrument 8. Masks and polytheism 9. The mask of Dionysos 10. Sacred viewing: 'theorizing' the ancient mask 11. Mask and self Epilogue: to the performer.

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2017The Mortal Voice in the Tragedies of Aeschylus 2018The Improvisational Entrepreneur: Improvisation Training in Entrepreneurship Education 2018Greek Tragedy in the Fourth Century: The Fragments 2020Face Masks: Their History and the Values They Communicate 2020Female Characters in Fragmentary Greek Tragedy 2011All That is Landscape is Melted into Air: The ‘Aerography’ of Ethereal Space 2020Shakespeare, Technicity, Theatre 2009Embodied Intersubjectivity and the Creation of Early Modern Character

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