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Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation
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Cited by

  • 2017The Mortal Voice in the Tragedies of Aeschylus114 cited
  • 2018The Improvisational Entrepreneur: Improvisation Training in Entrepreneurship Education55 cited
  • 2018Greek Tragedy in the Fourth Century: The Fragments51 cited
  • 2020Face Masks: Their History and the Values They Communicate29 cited
  • 2020Female Characters in Fragmentary Greek Tragedy27 cited
  • 2011All That is Landscape is Melted into Air: The ‘Aerography’ of Ethereal Space23 cited
  • 2020Shakespeare, Technicity, Theatre12 cited
  • 2009Embodied Intersubjectivity and the Creation of Early Modern Character6 cited
  • 2011Performance,ætherialspace and the practice of landscape/architecture: the case of the missing mask6 cited
  • 2014Jean-Léon Gérôme and Polychrome Sculpture: Reconstructing the Artist’s Hierarchy of the Arts2 cited

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