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Cited by

• 1992The "Unwritten" and "Written Transmission" of Medieval Chant and the Start-Up of Musical Notation58 cited
• 2014Strauss-Bilder57 cited
• 2004Music of seriousness and commitment: the 1930s and beyond31 cited
• 2002Le génie et sa sociologie. Controverses interprétatives sur le cas Beethoven26 cited
• 2006‘Late’, Last, and Least: On Being Beethoven’s Quartet in F Major, op. 13523 cited
• 1992Constructing Nuremberg: Typological and Proleptic Communities in "Die Meistersinger"23 cited
• 2017Cultural Brokers and the Making of Glocal Soundscapes, 1880s to 1930s22 cited
• 1992Beethoven's "Mozart" Quartet11 cited
• 2004Rewriting the past: classicisms of the inter-war period10 cited
• 2010Le travail à l’œuvre: Enquête sur l’autorité contingente du créateur dans l’art lyrique9 cited
• 1988Kurth's "Bruckner" and the Adagio of the Seventh Symphony8 cited
• 1998Some difficulties in the historiography of Italian opera8 cited
• 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
• 2017Glasba slovenske povojne moderne (1918–1927)4 cited
• 1993Dvorák's “Dumka” and the concept of nationalism in music historiography1