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Black Music and Writing Black Music History: American Music and Narrative Strategies
14 references·0 citing·41 second hop
Black Music and Writing Black Music History: American Music and Narrative Strategies (2008)Black Music and Writing Black Music Histo…Classical Music In America: A History Of Its Rise And Fall (2005)Classical Music In America: A…Lying up a Nation: Race and Black Music (2003)Lying up a Nation: Race and B…Bridging South America and the United States in Black Music Research (2002)Bridging South America and th…Black Music in the Circum-Caribbean (1999)Black Music in the Circum-Car…Analogies and Differences in African-American Musical Cultures across the Hemisphere: Interpretive Models and Research Strategies (1998)Analogies and Differences in …The Power of Black Music: Interpreting its History from Africa to the United States. (1997)The Power of Black Music: Int…Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory (1996)Turning the Analysis around: …That Event, This Memory: Notes on the Anthropology of African Diasporas in the New World (1991)That Event, This Memory: Note…Herskovits's Heritage: Rethinking Syncretism in the African Diaspora (1991)Herskovits's Heritage: Rethin…First-Time: The Historical Vision of an African American People (1983)First-Time: The Historical Vi…The Latin Tinge: The Impact of Latin American Music on the United States (1980)The Latin Tinge: The Impact o…Black music of two worlds (1973)Black music of two worldsMusic in Mexico (1953)Music in MexicoMaroons Within the Present Limits of the United States (1939)Maroons Within the Present Li…Popular musics of the non-Western world: an introductory survey (1989)Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa (1994)Tangled roots: Kalenda and other neo-African dances in the circum-Caribbean (2004)Creolizing contradance in the Caribbean (2010)The Invention of Latin American Music (2020)Slavery and Social Death. A Comparative Study (1983)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Argonauts of the Western Pacific (2002)Secrets, Gossip, and Gods (2002)The Origins of Kongo: A Revised Vision (2018)Consuming Passions: Child Abuse, Fetishism, and "The New World Order" (2021)MEMORANDUM FOR THE STUDY OF ACCULTURATION (1936)Writing Culture: The Poetics and Politics of Ethnography (1986)Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (1987)Tourism in Ghana (1996)The Uses of Diaspora (2001)The Time of Slavery (2002)Gestalt Psychology: An Introduction to New Concepts in Modern Psychology (1970)The Structure of Atonal Music (1973)Maximally Even Sets (1991)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Form as Process: The Buildup Introduction in Popular Music (2015)Performance Practice in the Music of Steve Reich (2016)Imagining a Post-Development Era? Critical Thought, Development and Social Movements (1992)Unfinished Migrations: Reflections on the African Diaspora and the Making of the Modern World (2000)Law and Colonial Cultures: Legal Regimes in World History, 1400-1900 (2001)Judging "By the Beat": Calypso versus Soca (1996)Reputation in a Musical Scene: The Everyday Context of Connections between Music, Identity and Politics (1998)The Yoruba diaspora in the Atlantic world (2006)Riffs, Repetition, and Theories of Globalization (1999)The Rise of a Jazz Art World (2002)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music (1997)Race and Ethnicity in Latin America (2010)Race and Ethnicity in Latin America (2010)Seminoles and Africans under Seminole Law: Sources and Discourses of Tribal Sovereignty and "Black Indian" Entitlement (2005)The Political Economy of Exile in the Great Dismal Swamp (2007)Freedom on the Move: Marronage in Martin Delany’s Blake; or, the Huts of America (2018)Why does country music sound white? Race and the voice of nostalgia (2007)Banding together: how communities create genres in popular music (2012)The new ‘tween’ music industry: The Disney Channel, Kidz Bop and an emerging childhood counterpublic (2012)
this work references cited by second hop

References

  • 1991That Event, This Memory: Notes on the Anthropology of African Diasporas in the New World337 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1983First-Time: The Historical Vision of an African American People222 cited
  • 1991Herskovits's Heritage: Rethinking Syncretism in the African Diaspora215 cited
  • 2003Lying up a Nation: Race and Black Music152 cited
  • 1980The Latin Tinge: The Impact of Latin American Music on the United States117 cited
  • 1973Black music of two worlds69 cited
  • 1939Maroons Within the Present Limits of the United States60 cited
  • 1996Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory55 cited
  • 1999Black Music in the Circum-Caribbean54 cited
  • 2005Classical Music In America: A History Of Its Rise And Fall48 cited
  • 1998Analogies and Differences in African-American Musical Cultures across the Hemisphere: Interpretive Models and Research Strategies11 cited
  • 2002Bridging South America and the United States in Black Music Research9 cited
  • 1953Music in Mexico9 cited

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