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“If It Ain't Cheap, It Ain't Punk”: Walter Benjamin's Progressive Cultural Production and DIY Punk Record Labels
6 references·8 citing·39 second hop
“If It Ain't Cheap, It Ain't Punk”: Walter Benjamin's Progressive Cultural Production and DIY Punk Record Labels (2012)“If It Ain't Cheap, It Ain't Punk”: Walte…Notes from Underground: Zines and the Politics of Alternative Culture (2025)Notes from Underground: Zines…Selections from the prison notebooks (2020)Selections from the prison no…Rip it up and start again : postpunk 1978-1984 (2006)Rip it up and start again : p…Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction (2004)Postmodernism and Punk Subcul…One Chord Wonders: Power and Meaning in Punk Rock (1985)One Chord Wonders: Power and …Another boring day in paradise: rock and roll and the empowerment of everyday life (1984)Another boring day in paradis…The impact of innovative technologies on small players in the recorded music sector: a chronological overview (2021)The impact of innovative tech…Sound Recordists, Workplaces, Technologies, and the Aesthetics of Punk (2020)Sound Recordists, Workplaces,…Today Your Style, Tomorrow The World: Punk, Moda e Imaginário Visual (2018)Today Your Style, Tomorrow Th…Today Your Style, Tomorrow The World: punk, fashion and visual imaginary (2018)Today Your Style, Tomorrow Th…Concentration, diversity, and consequences: Privileging independent over major record labels (2018)Concentration, diversity, and…Theories of Punk and Subculture (2017)Theories of Punk and Subcultu…Der Wert der Musik: Aushandlungsdynamiken in der digitalisierten Musikwirtschaft (2017)Der Wert der Musik: Aushandlu…Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture (2014)Outcasts and Orchestrators: F…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Television: Polysemy and popularity (1986)Performing the (Sound)World (2000)One less car: bicycling and the politics of automobility (2011)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The postmodern condition (1994)Consumption Styles and the Fluid Complexity of Punk Authenticity (2009)Doing Scene (2012)Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal (2018)Republic.com 2.0 (2007)Echo chambers online?: Politically motivated selective exposure among Internet news users (2009)Filter Bubbles, Echo Chambers, and Online News Consumption (2016)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)Changing Highbrow Taste: From Snob to Omnivore (1996)Exploring the (un)changing nature of cultural intermediaries in digitalised markets: insights from independent music (2022)Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians) (2022)Musical Aspirations and DIY/DIO Practices in Online Communities of Amateur Independent Filipino Songwriters (2022)Resistance Through Rituals (1978)Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002) (2019)Repeated Takes: A Short History of Recording and its Effects on Music (1995)Music Scenes (2004)Research Commentary —Digital Infrastructures: The Missing IS Research Agenda (2010)The Significance of Digital Network Platforms to Enforce Musicians’ Entrepreneurial Role: Assessing Musicians’ Satisfaction in Using Mobile Applications (2022)The Evolution of the Music Industry in the Digital Age: From Records to Streaming (2023)The new digital music marketing ecosystem: artist direct (2023)Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Taken Out of Context: American Teen Sociality in Networked Publics (2009)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Producing Artistic Value: The Case of Rock Music (1994)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Music Scenes: Local, Translocal, and Virtual (2011)Just what is critical race theory and what's it doing in a nice field like education? (1998)Migrant “Illegality” and Deportability in Everyday Life (2002)A Brief History of Neoliberalism (2020)The cultural and creative industries: a review of the literature (2007)Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths (2010)Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry (2017)
this work references cited by second hop

References

  • 2020Selections from the prison notebooks9,748 cited
  • 2025Notes from Underground: Zines and the Politics of Alternative Culture534 cited
  • 2006Rip it up and start again : postpunk 1978-1984329 cited
  • 1985One Chord Wonders: Power and Meaning in Punk Rock288 cited
  • 1984Another boring day in paradise: rock and roll and the empowerment of everyday life216 cited
  • 2004Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction117 cited

Cited by

  • 2018Concentration, diversity, and consequences: Privileging independent over major record labels23 cited
  • 2021The impact of innovative technologies on small players in the recorded music sector: a chronological overview10 cited
  • 2018Today Your Style, Tomorrow The World: punk, fashion and visual imaginary8 cited
  • 2017Der Wert der Musik: Aushandlungsdynamiken in der digitalisierten Musikwirtschaft6 cited
  • 2014Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture6 cited
  • 2017Theories of Punk and Subculture4 cited
  • 2020Sound Recordists, Workplaces, Technologies, and the Aesthetics of Punk3 cited
  • 2018Today Your Style, Tomorrow The World: Punk, Moda e Imaginário Visual2 cited

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