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Cited by

• 200712 From Marathon to Waterloo: Byron, Battle Monuments, and the Persian Wars26 cited
• 2010“Struggling against a Vulgar Prejudice”: Patriotism and the Collecting of British Art at the Turn of the Nineteenth Century26 cited
• 2011Portrait of a Marriage: John and Amelia Opie and the Sister Arts18 cited
• 2005Death and the Author: Westminster Abbey and the Meanings of the Literary Monument14 cited
• 2011An Eastern Perspective: the Society of Antiquaries and Indian Antiquities in the 1780s14 cited
• 2012Founding the Academy of San Alejandro and the Politics of Taste in Late Colonial Havana, Cuba13 cited
• 2018Exceptional, but not Exceptions: Public Exhibitions and the Rise of the Woman Artist in London and Paris, 1760–18309 cited
• 2013Picturing reform in Victorian Britain7 cited
• 2010‘A Natural and Voluntary Dependence’: The Royal Academy of San Carlos and the Cultural Politics of Art Education in Mexico City, 1786–17973 cited
• 2013Britain in the classical world: Samuel Lysons and the art of Roman Britain 1780-18203 cited
• 2006Le jardin « anglais » : représentation, rhétorique et translation de la nation britannique, 1688-18203 cited
• 2011“Like as My Profile”: Of Monuments, Money, and Political Caricature in Spring 17841 cited
• 2016Super-size caricature: Thomas Rowlandson's Place de Victoires at the Society of Artists in 1783