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Constraint, collaboration and creativity in popular songwriting teams
6 references·13 citing·48 second hop
Constraint, collaboration and creativity in popular songwriting teams (2012)Constraint, collaboration and creativity …Society, Culture, and Person: A Systems View of Creativity (2014)Society, Culture, and Person:…‘Simply Irresistible’: recurring accent patterns as hooks in mainstream 1980s music (2005)‘Simply Irresistible’: recurr…Problem-Solving and Creativity: Insights from Students’ Individual Composing Pathways (2004)Problem-Solving and Creativit…Mapping Pathways: Fostering creativity in composition (2002)Mapping Pathways: Fostering c…A Time Analysis of the Compositional Processes Used by Children Ages 7 to 11 (1989)A Time Analysis of the Compos…Developmental sequence in small groups. (1965)Developmental sequence in sma…The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement (2024)The Benefits of Collaborative…‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age (2024)‘The song factories have clos…LIMINALE KREATIVITÄT (2023)LIMINALE KREATIVITÄTMusikkforlagets rolle i den digitale musikkbransjen (2022)Musikkforlagets rolle i den d…Musikerne, bransjen og samfunnet (2022)Musikerne, bransjen og samfun…Teaching Aesthetics – A Case Study of One-To-One Tuition in Popular Electronic Music in Higher Education (2020)Teaching Aesthetics – A Case …Music Technology in Education (2020)Music Technology in EducationMusic Technology in Education – Channeling and Challenging Perspectives (2020)Music Technology in Education…Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era” (2020)Making Music, Finishing Music…Dimensions of Musical Creativity (2020)Dimensions of Musical Creativ…Balancing Educational Purposes Within Higher Electronic Music Education – A Biestaian Perspective (2020)Balancing Educational Purpose…Creativities in Popular Songwriting Curricula: Teaching or Learning? (2015)Creativities in Popular Songw…Voicing passion: The emotional economy of songwriting (2014)Voicing passion: The emotiona…Creativity. (1950)The Structure of Scientific Revolutions (1963)The Social Psychology of Creativity (1983)Investing in creativity. (1996)When Collections of Creatives Become Creative Collectives: A Field Study of Problem Solving at Work (2006)Rethinking Giftedness and Gifted Education (2011)The Sequence of Musical Development: A Study of Children's Composition (1986)Psychology for Musicians (2007)An experimental study of the effects of improvisation on the development of children's creative thinking in music (2009)Dimensions of Music Improvisation (2009)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)Poetics of Music in the Form of Six Lessons (1970)A synthesis process model of creative thinking in music composition (2005)Creativity, uncertainty and discomfort: teachers as writers (2006)A generative model of teachers’ thinking on musical creativity (2009)Social learning and clinical psychology. 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(1968)Case Study Research: Design and Methods (1984)Compositional Process in Music (2007)“Pedagogical Creativity” as a Framework for Music Teacher Education (2014)The Managed Heart (1983)On Record: Rock, Pop and the Written Word (1990)Conceptualizing Creativity and Strategy in the Work of Professional Songwriters (2017)“Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries (2018)Music Entrepreneurs in a Linguistic Minority Context: Effectuation as Adaptation to the Paradoxes of Digital Technologies (2018)The Cultural Industries (2019)The associative basis of the creative process. (1962)The Nature of Human Intelligence (1968)Autopoiesis and Cognition (1980)Empowering the Portfolio Musician: Innovative Chamber Music Pedagogy for the 21st-Century Artist (2022)Transactional Culture of the Portfolio Career Chamber Musician: A Case Study (2022)The resonances of innovation: Orchestrating a guqin course with the systems model of creativity and a creativity educational model development (2025)Mind in Society: The Development of Higher Psychological Processes (1978)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)The "What" and "Why" of Goal Pursuits: Human Needs and the Self-Determination of Behavior (2000)Splice and the platformization of hip hop production: Navigating the online music platform for royalty-free samples (2021)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Using thematic analysis in psychology (2006)The Moral Outlooks of Cultural Workers in Pandemic Times (2022)Sustainable creative careers through mentoring: Understanding social resilience in the art field (2024)Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy (2017)Flow (2019)Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves (2020)
this work references cited by second hop

References

  • 1965Developmental sequence in small groups.5,772 cited
  • 2014Society, Culture, and Person: A Systems View of Creativity1,289 cited
  • 1989A Time Analysis of the Compositional Processes Used by Children Ages 7 to 11216 cited
  • 2004Problem-Solving and Creativity: Insights from Students’ Individual Composing Pathways125 cited
  • 2002Mapping Pathways: Fostering creativity in composition111 cited
  • 2005‘Simply Irresistible’: recurring accent patterns as hooks in mainstream 1980s music73 cited

Cited by

  • 2020Dimensions of Musical Creativity69 cited
  • 2020Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era”18 cited
  • 2022Musikerne, bransjen og samfunnet17 cited
  • 2014Voicing passion: The emotional economy of songwriting17 cited
  • 2020Music Technology in Education – Channeling and Challenging Perspectives16 cited
  • 2022Musikkforlagets rolle i den digitale musikkbransjen13 cited
  • 2020Balancing Educational Purposes Within Higher Electronic Music Education – A Biestaian Perspective12 cited
  • 2020Music Technology in Education5 cited
  • 2020Teaching Aesthetics – A Case Study of One-To-One Tuition in Popular Electronic Music in Higher Education

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5 cited
  • 2024‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age4 cited
  • 2023LIMINALE KREATIVITÄT4 cited
  • 2015Creativities in Popular Songwriting Curricula: Teaching or Learning?4 cited
  • 2024The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement3 cited