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Cited by

• 2005Vernacular culture and the place of folk music36 cited
• 2004Disruption, dissonance and embodiment: creativity, health and risk in music narratives35 cited
• 2005Corporeidad y experiencia musical29 cited
• 2006Holicipation: Prolegomenon to an Ethnography of Solitary Music-Making27 cited
• 2010Experience economy in the making: Hedonism, play and coolhunting in automotive song lyrics24 cited
• 2017Composing music, developing dialogues: An enactive perspective on children's collaborative creativity23 cited
• 2006Artifacts that speak for themselves: Sounds underfoot in Mesoamerica23 cited
• 2007Interpretation and musical signification in acousmatic listening19 cited
• 2014Missteps, flaws and morphings in children’s musical play: Snapshots from school playgrounds17 cited
• 2005Embodiment and musical experience13 cited
• 2017Music as a resource for the sexual self: An exploration of how young people in the Netherlands use music for good sex13 cited
• 2008Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics: An ethnomusicological ethnography12 cited
• 2012Music of the Gnawa of Morocco : evolving spaces and times9 cited
• 2011From Listening to Distribution: Nonofficial Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s