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Age and arts participation with a focus on the baby boom cohort
1 references·8 citing·34 second hop
Age and arts participation with a focus on the baby boom cohort (1996)Age and arts participation with a focus o…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…The Evolution of Theatre Attendance in Italy: Patrons and Companies (2017)The Evolution of Theatre Atte…The Decline of the Subscriber Base: A Study of the Philharmonia Orchestra Audience (2016)The Decline of the Subscriber…Le passage à des goûts omnivores : notions, faits et perspectives1 (2004)Le passage à des goûts omnivo…Museum Visits, Education, and Topic Interest (2001)Museum Visits, Education, and…Recession to Renaissance: A Comparison of Rhode Island Artists 1981 and 1997 (1999)Recession to Renaissance: A C…Boom, bust and recovery? Arts audience development in Germany between 1980 and 19961 (1999)Boom, bust and recovery? Arts…Dance Audiences: Answered and Unanswered Questions (1998)Dance Audiences: Answered and…Changes in Marketing Environment and Their Impact on Cultural Policy (1997)Changes in Marketing Environm…Performing arts attendance: an economic approach (2004)Social stratification and cultural consumption: The visual arts in England (2007)Determining heterogeneous behavior for theater attendance (2008)Revealed individual attendance at Italian theatre: a microeconomic investigation (2017)Technical efficiency in the Italian performing arts companies (2017)The Demand and Supply for Theatre: A Long-Run Analysis over the Italian Regions (2024)Characteristics of Performing Artists: A Baseline Profile of Sectoral Crossovers (1998)Financial Support for Individual Artists (2004)Statistisches Jahrbuch der Deutschen Demokratischen Republik (1956)The silent revolution (1977)Dissident Groups, Personal Networks, and Spontaneous Cooperation: The East German Revolution of 1989 (1993)Review of European Expert Network on Culture's audience building and the future Creative Europe programme, 2012 (2013)Handbook of Survey Research (1985)The rise and fall of highbrow snobbery as a status marker (1997)Strangers, Guests, or Clients? Visitor Experiences in Museums (1999)Comparative analysis of French and French‐Canadian willingness to support the national film industry (2000)Leveraging Associations: The Promotion of Cultural Sponsorships (2007)Marketing culture and the arts (2021)The Strength of Weak Ties (1973)Reproduction in Education, Society and Culture (1979)From exclusive to inclusive elitists and further: Twenty years of omnivorousness and cultural diversity in arts participation in the USA (2005)The democratisation of culture in France in the nineteenth & twentieth centuries: an obsolete ambition? (2013)Can Culture Account for Investment Expectations? (2016)Performing Arts: The Economic Dilemma (1967)Performing Arts: The Economic Dilemma (1969)Wagner Nights (1994)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Performing rites: on the value of popular music (1997)Consumer Perceptions of Promotional Offers in the Performing Arts: An Experimental Approach (2004)Repurchase Behavior in the Performing Arts: Do Emotions Matter without Involvement? (2014)Social Inclusion Through Cultural Engagement Among Ethnic Communities (2014)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited

Cited by

  • 2004Le passage à des goûts omnivores : notions, faits et perspectives1155 cited
  • 2016The Decline of the Subscriber Base: A Study of the Philharmonia Orchestra Audience20 cited
  • 1998Dance Audiences: Answered and Unanswered Questions11 cited
  • 1999Boom, bust and recovery? Arts audience development in Germany between 1980 and 1996110 cited
  • 1999Recession to Renaissance: A Comparison of Rhode Island Artists 1981 and 19978 cited
  • 1997Changes in Marketing Environment and Their Impact on Cultural Policy8 cited
  • 2017The Evolution of Theatre Attendance in Italy: Patrons and Companies6 cited
  • 2001Museum Visits, Education, and Topic Interest2 cited

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