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The Influence of Ovid in Opera
16 references·0 citing·32 second hop
The Influence of Ovid in Opera (2014)The Influence of Ovid in OperaThe doleful airs of Euripides: The origins of opera and the spirit of tragedy reconsidered (2005)The doleful airs of Euripides…An Early Fifth-Century Athenian Revolution in Aulos Music (2003)An Early Fifth-Century Atheni…In Search of Dido (2001)In Search of DidoWeeping at the water's edge (1999)Weeping at the water's edgeLamenting Ariadne? (1999)Lamenting Ariadne?The academy and the limits of painting in seventeenth-century France (1997)The academy and the limits of…Studies in the History of Italian Music and Music Theory (1994)Studies in the History of Ita…Monteverdi: music in transition (1992)Monteverdi: music in transiti…Opera in Seventeenth-Century Venice (1990)Opera in Seventeenth-Century …Music and Theatre from Poliziano to Monteverdi (1982)Music and Theatre from Polizi…Of poetry and music's power: Humanism and the creation of opera (1980)Of poetry and music's power: …Mozart: A Documentary Biography (1966)Mozart: A Documentary Biograp…Theatre Festivals of the Medici, 1539-1637 (1964)Theatre Festivals of the Medi…VINCENZO GALILEI AND SOME LINKS BETWEEN “PSEUDO-MONODY” AND MONODY (1960)VINCENZO GALILEI AND SOME LIN…Così fan Tutte (Procris Included) (1954)Così fan Tutte (Procris Inclu…Richard Wagner's Prose Works (1893)Richard Wagner's Prose WorksThe Descending Tetrachord: An Emblem of Lament (1979)Technique and Ideas in the Aeneid (1983)The Specter of Dido (1995)Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)The Cambridge Companion to the Singer-Songwriter (2016)Conceptual blending, creativity, and music (2018)Motif-Index of the Italian Novella in Prose (1943)The comic mode (2004)Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte (2004)Recognition in Mozart's Operas (2006)Magic and Festivity at the Renaissance Court: The 1987 Josephine Waters Bennett Lecture (1987)Ben Jonson’s Masques and Italian Culture (1991)Historians and Antiquarians in Sixteenth-Century Florence (2003)Isabella d'Este and Lucrezia Borgia as Patrons of Music: The Frottola at Mantua and Ferrara (1985)The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Cambridge Companion to Opera Studies (2012)Vocal performance in the seventeenth century (2012)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Gender, Class and Ideology: The Social Function of Virgin Sacrifice in Euripides'Children of Herakles (2007)The Gorgons’ Lament: Auletics, Poetics, and Chorality in Pindar’s Pythian 12 (2013)Noise, Music, Speech: The Representation of Lament in Greek Tragedy (2017)Haydn's Theater Symphonies (1990)The Viennese symphony 1750 to 1827 (2013)Building gifts into musical talents (2015)The Cambridge History of Musical Performance (2012)Women and Music in Sixteenth-Century Ferrara (2018)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Wireless Imaginations (2020)The queen as king: Refashioning Semiramide forSeicentoVenice (1993)The Bow of Ulysses (1994)On the road with the “suitcase aria”: The transmission of borrowed arias in late seventeenth‐century Italian opera revivals (1995)
this work references cited by second hop

References

  • 1982Music and Theatre from Poliziano to Monteverdi223 cited
  • 1994Studies in the History of Italian Music and Music Theory200 cited
  • 1966Mozart: A Documentary Biography159 cited
  • 1893Richard Wagner's Prose Works87 cited
  • 1990Opera in Seventeenth-Century Venice84 cited
  • 1999Lamenting Ariadne?80 cited
  • 1964Theatre Festivals of the Medici, 1539-163774 cited
  • 2003An Early Fifth-Century Athenian Revolution in Aulos Music46 cited
  • 2001In Search of Dido43 cited
  • 1954Così fan Tutte (Procris Included)41 cited
  • 1992Monteverdi: music in transition40 cited
  • 1997The academy and the limits of painting in seventeenth-century France37 cited
  • 1960VINCENZO GALILEI AND SOME LINKS BETWEEN “PSEUDO-MONODY” AND MONODY30 cited
  • 1980Of poetry and music's power: Humanism and the creation of opera29 cited
  • 2005The doleful airs of Euripides: The origins of opera and the spirit of tragedy reconsidered26 cited
  • 1999Weeping at the water's edge24 cited

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