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Performance Studies: An Introduction (3rd ed.)
2 references·11 citing·40 second hop
Performance Studies: An Introduction (3rd ed.) (2014)Performance Studies: An Introduction (3rd…Reading Dancing: Bodies and Subjects in Contemporary American Dance (1988)Reading Dancing: Bodies and S…Reading Dancing: Bodies and Subjects in Contemporary American Dance (1987)Reading Dancing: Bodies and S…Crafting Collections between Vernacular and Institutional Practice (2021)Crafting Collections between …David M. Witelson: A Painted Ridge: Rock Art and Performance in the Maclear District, Eastern Cape, South Africa (2020)David M. Witelson: A Painted …Conceptualizing Performance and Performative Practices in Scientific Discourse (2020)Conceptualizing Performance a…Welcome to the World of Wandercast: Podcast as Participatory Performance and Environmental Exploration (2018)Welcome to the World of Wande…‘It makes me feel alive’: the socio-motivational impact of drama and theatre on marginalised young people (2017)‘It makes me feel alive’: the…The Self in Performance: Context, Definitions, Directions (2016)The Self in Performance: Cont…The expanding galaxy of performing arts: extending theories and questioning practices (2016)The expanding galaxy of perfo…The Call to Performance (2016)The Call to PerformanceIntroduction: The Japanese Robot and Performance (2016)Introduction: The Japanese Ro…‘The dead are coming’: acts of citizenship at Europe’s borders (2016)‘The dead are coming’: acts o…Lingering in Girlhood: Dancing with Patriarchy in Jordan (2015)Lingering in Girlhood: Dancin…The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Politics of Piety: The Islamic Revival and the Feminist Subject (2005)Politics of Piety: The Islamic Revival and the Feminist Subject (2006)The Presentation of Self in Everyday Life. (1956)How To Do Things With Words (1975)Handbook of Qualitative Research (1994)“Mixing Pop (Culture) and Politics”: Cultural Resistance, Culture Jamming, and Anti-Consumption Activism as Critical Public Pedagogy (2008)‘My Boyfriend Loves it when I Come Home from this Class’: Pedagogy, Titillation, and New Media Technologies (2009)Showing doing. The art–science debate in a performative perspective (2010)Language as social semiotic : the social interpretation of language and meaning (1978)Reading images: the grammar of visual design (1996)Representation: Cultural representations and signifying practices. (1997)Necropolitics (2003)Performance Studies: An Introduction (2003)Rhetorical citizenship: studying the discursive crafting and enactment of citizenship (2017)“The Dead are Coming”. Contemporary Interventionist Art, Political Beauty, and the Power of Reason (2022)Migrant Deaths and European Revenants in Thomas Köck’santigone. a requiem(2019): Sophocles’ Tragedy Recomposed and Decomposed (2022)From The Emancipated Spectator (2025)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Vibrant Matter (2010)Vibrant Matter: A Political Ecology of Things (2010)Performing Autoethnography: An Embodied Methodological Praxis (2001)Reading autobiography: a guide for interpreting life narratives (2011)Narrationen des Dazwischen: Dialogische ReKonstruktion von Erleben in der Theatertherapie (2018)autobiographical dramatic theatrical performance as a therapeutic intervention (2021)Autobiographical Therapeutic Performance as a Means of Improving Executive Functioning in Traumatized Adults (2021)Mind in Society: The Development of Higher Psychological Processes (1978)Social Learning Theory. (1978)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)El teatro como recurso para afrontar los retos de la adolescencia. (2019)A Model of Psychological Mechanisms of Inclusive Music-Making: Empowerment of Marginalized Young People (2021)Exploiting Drama for Children in EFL Teaching to Promote Creativity, Confidence, and Motivation (2021)The Senses Considered as Perceptual Systems (1969)Book Reviews : Steps to an Ecology of Mind. By GREGORY BATESON. (New York: Ballantine Books, 1972. Pp. xxvi, 517. $1.95.) (1973)Mindfulness: A Proposed Operational Definition (2004)Choreographies of Gender (1998)The Cambridge Introduction to Theatre Studies (2008)Choreomusical Conversations: Facing a Double Challenge (2011)Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction is About You EVE KOSOFSKY SEDGWICK (1997)Dancing Postcolonialism (2007)
this work references cited by second hop

References

  • 1988Reading Dancing: Bodies and Subjects in Contemporary American Dance194 cited
  • 1987Reading Dancing: Bodies and Subjects in Contemporary American Dance188 cited

Cited by

  • 2016The Call to Performance66 cited
  • 2016‘The dead are coming’: acts of citizenship at Europe’s borders25 cited
  • 2017‘It makes me feel alive’: the socio-motivational impact of drama and theatre on marginalised young people22 cited
  • 2016The Self in Performance: Context, Definitions, Directions10 cited
  • 2016The expanding galaxy of performing arts: extending theories and questioning practices8 cited
  • 2018Welcome to the World of Wandercast: Podcast as Participatory Performance and Environmental Exploration7 cited
  • 2015Lingering in Girlhood: Dancing with Patriarchy in Jordan6 cited
  • 2016Introduction: The Japanese Robot and Performance6 cited
  • 2020Conceptualizing Performance and Performative Practices in Scientific Discourse5 cited
  • 2021Crafting Collections between Vernacular and Institutional Practice1 cited
  • 2020David M. Witelson: A Painted Ridge: Rock Art and Performance in the Maclear District, Eastern Cape, South Africa0 cited

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