SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Virtuosity and the Musical Work: The Transcendental Studies of Liszt
16 references·7 citing·32 second hop
Virtuosity and the Musical Work: The Transcendental Studies of Liszt (2003)Virtuosity and the Musical Work: The Tran…from Some Versions of Pastoral (2010)from Some Versions of PastoralThe Cambridge History of Nineteenth-Century Music (2001)The Cambridge History of Nine…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)From Maker to Composer: Impro…The Romantic Generation (1995)The Romantic GenerationMusic and Discourse: Toward a Semiology of Music (1993)Music and Discourse: Toward a…Playing with Signs: A Semiotic Interpretation of Classic Music (1991)Playing with Signs: A Semioti…Schumann and Late Eighteenth-Century Narrative Strategies (1987)Schumann and Late Eighteenth-…The Work of Music and the Problem of Its Identity (1986)The Work of Music and the Pro…Towards an Aesthetic of Reception (1985)Towards an Aesthetic of Recep…Once More "Between Absolute and Program Music": Schumann's Second Symphony (1984)Once More "Between Absolute a…Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…Philosophy of Modern Music (1976)Philosophy of Modern MusicThe archaeology of knowledge ; and, The discourse on language (1972)The archaeology of knowledge …The Role of Theory in Aesthetics (1956)The Role of Theory in Aesthet…Ursprung des deutschen Trauerspiels (1925)Ursprung des deutschen Trauer…Velocity and Virtuosity: An Empirical Investigation of Basic Tempo in Contemporary Performances of Two Large-scale Works of Chopin and Liszt (2023)Velocity and Virtuosity: An E…The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes (2020)The Aesthetics of Imperfectio…Performing Civility: International Competitions in Classical Music (2017)Performing Civility: Internat…Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism (2017)Clara Schumann's Interioritie…The Evolution of Chopin’s Sonata Forms (2015)The Evolution of Chopin’s Son…Text versus Performance — zu einem Dualismus der Musikgeschichtsschreibung (2013)Text versus Performance — zu …Virtuosity Domesticated: Portraits of Franz Liszt by Two Biedermeier Artists (2005)Virtuosity Domesticated: Port…Improvisation: Its Nature And Practice In Music (1980)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993):The Stripping of the Altars: Traditional Religion in England 1400-1580 (1994)Playing with History (2002)Playing with history: the historical approach to musical performance (2003)Virtuosity and the Musical Work (2003)The Strangeness of Gods (2004)History of Modern Aesthetics (2005)Architecture and Modern Literature (2012)Language and Sexuality (2003)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)The Complexity of Intersectionality (2005)Popular Culture as Oppositional Culture: Rap as Resistance (1997)After Adorno : rethinking music sociology (2003)The Total Work of Art in European Modernism (2011)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)The orchestral revolution: Haydn and the technologies of timbre (2013)Semantics for Natural Languages (2001)Thought and Talk (2001)Statius'Silvaeand the Poetics of Empire (2002)The Anti-Jacobin Novel: British Conservatism and the French Revolution (2001)Generic Enrichment in Vergil and Horace (2007)Pragmatics of Taste (2007)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)The Art of Videogames (2009)Learning from Levi–Strauss’ Legacy: Art, Craft, Engineering, Bricolage, and Brokerage in Entrepreneurship (2012)How to do things with slurs: Studies in the way of derogatory words (2013)
this work references cited by second hop

References

  • 1972The archaeology of knowledge ; and, The discourse on language5,727 cited
  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1925Ursprung des deutschen Trauerspiels474 cited
  • 2010from Some Versions of Pastoral454 cited
  • 1956The Role of Theory in Aesthetics390 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1991Playing with Signs: A Semiotic Interpretation of Classic Music331 cited
  • 1976Philosophy of Modern Music314 cited
  • 1996From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500296 cited
  • 1985Towards an Aesthetic of Reception262 cited
  • 2001The Cambridge History of Nineteenth-Century Music232 cited
  • 1995The Romantic Generation222 cited
  • 1984Once More "Between Absolute and Program Music": Schumann's Second Symphony200 cited
  • 1986The Work of Music and the Problem of Its Identity196 cited
  • 1993Music and Discourse: Toward a Semiology of Music196 cited
  • 1987Schumann and Late Eighteenth-Century Narrative Strategies

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

192 cited

Cited by

  • 2017Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism31 cited
  • 2020The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes19 cited
  • 2017Performing Civility: International Competitions in Classical Music17 cited
  • 2005Virtuosity Domesticated: Portraits of Franz Liszt by Two Biedermeier Artists5 cited
  • 2023Velocity and Virtuosity: An Empirical Investigation of Basic Tempo in Contemporary Performances of Two Large-scale Works of Chopin and Liszt4 cited
  • 2015The Evolution of Chopin’s Sonata Forms3 cited
  • 2013Text versus Performance — zu einem Dualismus der Musikgeschichtsschreibung3 cited