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Revenge of the fanboy: convergence culture and the politics of incorporation
16 references·9 citing·37 second hop
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this work references cited by second hop

References

  • 20005. The Practice of Everyday Life10,734 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 1985Reading the Romance: Women, Patriarchy, and Popular Literature.2,926 cited
  • 1997Paratexts: Thresholds of Interpretation2,686 cited
  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 2006Understanding Popular Culture1,354 cited
  • 1998Audiences: A Sociological Theory of Performance and Imagination843 cited
  • 2002Beatlemania: Girls Just Want to Have Fun501 cited
  • 1988Star Trekrerun, reread, rewritten: Fan writing as textual poaching300 cited
  • 1998Consuming pleasures: active audiences and serial fictions from Dickens to soap opera222 cited
  • 2007Transmedia storytelling : business, aesthetics and production at the Jim Henson Company142 cited
  • 1994Hegemony in a mass‐mediated society: Concordance about reproductive technologies142 cited
  • 2008epic love story of Sam and Dean": Supernatural, queer readings, and the romance of incestuous fan fiction121 cited
  • 2002Using the force: creativity, community and Star Wars fans109 cited
  • 2005Men of tomorrow: geeks, gangsters, and the birth of the comic book99 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 1997Comic Book Fandom and Cultural Capital84 cited
  • Cited by

    • 2017Fanfiction and the Author151 cited
    • 2015“Cultural Acupuncture”92 cited
    • 2018The Unbearable Whiteness of Fandom and Fan Studies58 cited
    • 2014Mature Poets Steal: Children’s Literature and the Unpublishability of Fanfiction40 cited
    • 2018Mods as Lightning Rods: A Typology of Video Game Mods, Intellectual Property, and Social Benefit/Harm30 cited
    • 2013Audience Value and Transmedia Products18 cited
    • 2014‘Except that Joss Whedon is god’: fannish attitudes to statements of author/ity11 cited
    • 2017Fanfiction and the Author8 cited
    • 2018Fandom as symbolic patronage: expanding understanding of fan relationships with industry through the Veronica Mars Kickstarter campaign5 cited