The Poetics of the Kōmos -Chorus in Menander's Comedy

Abstract

This article investigates the functions of the kōmos-chorus in Menander"s comedies. It first reviews the evidence for the diminished role of the comic chorus in the fourth century and then considers Menander"s practice of deploying a kōmos instead of a chorus. It argues that the performance contexts of the kōmos allowed it to serve multiple functions. The association of the kōmos with symposia and aristocratic violence rendered it a realistic device for clearing the stage after the first act. In addition, the conclusion of the romantic plot with a wedding or pre-wedding celebration created the occasion for receiving a wedding kōmos, suggesting that the kōmos may have finally been greeted or received at the end of the fifth act.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 61 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.